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(in their own films) Part 1 |
(alphabetical, by film title) Part 1 | Part 2 Greatest Film Director Cameos (in films of others) (chronological, by film title) Part 1 | Part 2 |
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There are numerous on-screen appearances of directors who crossed over and took the route toward directing: actors who became directors (Ron Howard, Penny Marshall), actors who also direct (Clint Eastwood, Robert Redford), director-actor auteurs (Woody Allen, Spike Lee, Sylvester Stallone), and various other combinations. 
are the films that "The Greatest Films" site has selected as the 100 Greatest Films. |
(alphabetical, by film title - Part 1) Part 1 | Part 2 |
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| 37 of Alfred Hitchcock's films | Alfred Hitchcock made a total of 37 self-referential cameos in his films over a 50 year period (from 1926-1976), if one counts his narration at the start of The Wrong Man (1956). See this site's extensive writeup (in two parts) of "Alfred Hitchcock's Film Cameos." |
 Hitchcock's cameo in
Vertigo (1958)
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| Minor cameos in their own films: |
Richard Attenborough: an escaped lunatic in A
Bridge Too Far (1977) |
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| Mostly major roles in his own films: Woody Allen | Woody Allen has starred in over two dozen of his own films through 2005; aside from those, in Radio Days (1987) he only served as a Narrator; and his truest cameo was in his own early film What's Up, Tiger Lily? (1966) when he played Narrator, Host, and a Voice -- he described his motivation for making the film ("the definitive spy picture") - a redubbed 1964 Japanese film Kagi no Kag about the search for an egg salad recipe, commented on the action as Narrator, then provided a brief appearance during the middle act's intermission (Interviewer: "Woody, because the story is a little bit difficult to follow, would you give the audience and myself a brief rundown on what's gone on so far?" Woody: "No!"); the other was as Himself, an interviewee who recalled stories about fictional guitarist Emmet Ray (Sean Penn) in Sweet and Lowdown (1999) |
What's Up, Tiger Lily? (1966)  Sweet and Lowdown (1999) |
| Mostly major roles in his own films: Sylvester Stallone | As the heroic underdog Philadelphian boxer, actor/star Stallone appeared in all six Rocky films (from 1976 to 2006, over a thirty-year period), and wrote all the screenplays as well; however, he only directed four of the six films, letting John G. Avildsen take the directorial helm for Rocky (1976) and Rocky V (1990). Stallone also directed himself as the Vietnam War vet John Rambo in Rambo (2008), and wrote the screenplays for all four Rambo films (1982, 1985, 1988, and 2008) to date, and was in production for Rambo V: The Savage Hunt (2011). | 
Rocky Balboa (2006) |
| Strong roles in many of his own films: Orson Welles | Welles, of course, appeared in
over a dozen of his own films: most notably
Citizen Kane (1941), The Stranger (1946),
The Lady From Shanghai (1948), Macbeth
(1948),
Touch of Evil (1958) and Chimes at Midnight
(1965), but did have a cameo role as the Narrator in
The Magnificent Ambersons (1942). See The
Trial (1963) below for Welles' truest cameo role appearance. |
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| Many prominent roles in his own films: Mel Brooks | Brooks appeared in Blazing Saddles (1974) as Governor Lepetomane, and then in his first leading role in Silent Movie (1976) as Mel Funn, and then in others of his films including: High Anxiety (1977) as Dr. Richard H. Thorndyke, History of the World Part I (1981) in multiple roles as Moses / Comicus / Torquemada / Jacques / and King Louis XVI, in To Be or Not to Be (1983) as Dr. Frederick Bronski, in Spaceballs (1987) as President Skroob / Yoghurt, and in Robin Hood: Men in Tights (1993) as Rabbi Tuckman. |
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| Notable supporting roles in his own directorial efforts: Danny De Vito | De Vito as child-like Owen Lift in Throw Momma From the Train (1987) (his directorial debut), reluctant divorce lawyer Gavin D'Amato in The War of the Roses (1989) (pictured), trucker Bobby Ciaro who became Hoffa's right-hand man in Hoffa (1992), used car salesman and parent Harry Wormwood in Matilda (1996), slimy agent Burke Bennett in Death to Smoochy (2002); and a true cameo role as the Narrator in Duplex (2003). |
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| Roles in his own films: Kevin Smith | Kevin Smith has appeared in four of his own films (Clerks (1994), Mallrats (1995), Chasing Amy (1997), and Dogma (1999)) in the recurring cameo role of Silent Bob (partnered with Jay Mewes as Jay) - a fifth time was as a lead character in Jay and Silent Bob Strike Back (2001). |
 Smith in Dogma (1999) |
| Roles in his own films: Clint Eastwood | Play Misty
for Me (1971) - Clint Eastwood as late-night California DJ Dave
Garver, who has an unfortunate encounter with a mysterious caller named
Evelyn Draper (Jessica Walter) who repeatedly requested the song "Misty."
Clint Eastwood had directed himself in about 20 other films -- all in lead roles -- including Unforgiven (1992) and Million Dollar Baby (2004). In both Best Picture Oscar-winning films, he was nominated both for Best Actor and Best Director, and won Best Director both times. [Side note: both films won Best Supporting Actor as well -- Gene Hackman in 1992 and Morgan Freeman in 2004.] |
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| Lead roles in all of his own films: Albert Brooks | Albert Brooks has starred in and
written every film he has directed, including the roles of Himself in
Real Life (1979) (pictured), film editor in Modern Romance (1981),
yuppie adventurer David Howard in Lost in America (1985), neurotic
and recently killed Daniel Miller in Defending Your Life (1991),
blocked sci-fi writer John Henderson in Mother (1996), troubled
Hollywood screenwriter Steven Phillips in The Muse (1999), and
Himself in Looking for Comedy in the Muslim World (2006). |
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| Mostly strong roles in his own films: Erich von Stroheim | Erich von Stroheim had many lead
roles in his own films, most notably as young impoverished Prince Nicki
von Wildeliebe-Rauffenburg, a Lieutenant of the Guard in pre-WWI Vienna
in The Wedding March (1928) (pictured). He also starred as Austrian
military officer Lieutenant Erich von Steuben in Blind Husbands (1919),
Don Juan-like Count Wladislaw Sergius Karamzin in Foolish Wives (1922),
ventriloquist Gabbo in The Great Gabbo (1929), and as Austrian
officer Hauptmann Oswald Von Traunsee in Fugitive Road (1934).
Stroheim did have a cameo in his most famous film,
Greed (1924), as a balloon vendor in a
scene that was removed when eight hours were truncated from the epic film. |
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| Airplane! (1980) | David and Jerry Zucker portrayed
distracted tarmac crewmen, who accidentally caused a jumbo 747 jet
to crash into the LAX airport terminal, while Jim Abrahams took the
role of one of the religious zealots in the Chicago airport terminal,
attacked by Capt. Rex Kramer (Robert Stack). |
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| Alien (1979) | In the shot where Kane (John Hurt) peered into a translucent egg, the facehugger was played by a pair of gloved hands belonging to director Ridley Scott. |
 
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All Quiet on the Western Front (1930) |
In the final closeup of Lew Ayres' hand as it stretched out (and was shot) to reach a butterfly close to the warfare trench, the hand belonged to director Lewis Milestone. |
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Apocalypse Now (1979) |
Francis Ford Coppola played himself, somewhat, as the director of a TV news film crew getting mock footage for the evening US news, shouting out directions to American soldiers as they took over a Vietcong-controlled coastal village: "Don't look at the camera! Just go by like you're fighting. Like you're fighting. Don't look at the camera! This is for television. Just go through, go through." |
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| Being There (1979) | Hal Ashby, in an uncredited brief cameo in a newsroom as a "Man at File Cabinet at Washington Post" | 
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| Blazing Saddles (1974) | Mel Brooks took the parts of star, director, producer, and writer in most of his films (however, he did not have an acting role in Young Frankenstein (1974) and was only featured as the sound of a howling werewolf). His most famous appearances were in Blazing Saddles (1974), in multiple roles (the first was a major part): the bewildered, sleazy, womanizing Governor LePetomane, and also two cameos as a Yiddish-speaking, Jewish-Sioux Indian chief, and as a WWI aviator in a badman lineup. |
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| Breathless (1960, Fr.), aka A bout de Souffle | Jean-Luc Godard took the role of an informer - a man reading a newspaper front-page story of a murder - who looked up and spotted the real murderer, and then told the cops. |
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Chinatown (1974) |
Roman Polanski portrayed a switchblade-wielding, maniacal, intimidating hoodlum who threatened inquisitive detective Jake Gittes (Jack Nicholson), to warn him to stop snooping (nosing) around in the case, with: "You're a very nosy fellow, kitty-cat, huh? You know what happens to nosy fellows? Huh, no? Want to guess? Huh, no? OK. They lose their noses." Gittes had one nostril viciously cut with the knife, followed by more intimidation: "Next time you lose the whole thing. (I) Cut if off and feed it to my goldfish. Understand? Understand!?" |
 
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| A Countess from Hong Kong (1967) | In this romantic comedy flop, Charlie Chaplin's final film (and the only one funded by a major studio - Universal), in which he served as writer and director, he appeared with only a short cameo (as a nameless, seasick, white-haired elderly steward). It was the first (and only) color film (and widescreen film) that Chaplin ever made. | 
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| The Evil Dead Trilogy: The Evil Dead (1981) Evil Dead 2 (1987) Army of Darkness (1993) |
Sam Raimi appeared in all three
films of his own trilogy: 1981: as a Hitchhiking Fisherman and the Voice of the Evil Force 1987: as a Medieval Soldier; and 1993: as a Knight in Sweatshirt and Sneakers, who assured Ash (Bruce Campbell): "You can count on my steel" |
 The Evil Dead (1981) 
Army of Darkness (1993) |
| The Fly (1986) | David Cronenberg played an obstetrician delivering a giant, squirming bloody larva in the nightmarish dream sequence experienced by hapless scientist Seth Brundle's (Jeff Goldblum) girlfriend/OMNI reporter Veronica Quaife (Geena Davis). |
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| Fox and His Friends (1975) (aka Faustrecht der Freiheit) | Rainer Werner Fassbinder as naive working-class Franz Bieberkopf (alias 'Fox') who wins the state lottery. | |
Greatest Film Director Cameos: Herein is a small collection of
the most famous appearances by directors on the front side of the camera,
in films of their own making (in alphabetical order by film title). Many directors
have enjoyed appearing in their own films (some as unbilled or uncredited
cameos, others as bit players, either in small walk-on roles or in major
supporting roles).