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In a Lonely
Place (1950)
In Nicholas Ray's bleak black and white film noir classic
about a volatile Hollywood screenwriter who became a murder suspect
and was provided an alibi by his neighbor - an aspiring actress:
- the scene in which beautiful but cool blonde next-door
apartment neighbor and would-be starlet Laurel Gray (Gloria Grahame)
- first viewed voyeuristically in a window frame - provided an
alibi during questioning in a detective's office, for cynical,
hard-living, self-destructive and volatile Hollywood screenwriter
Dixon Steele (Humphrey Bogart); he had been accused of murdering
hat-check girl Mildred Atkinson (Martha Stewart): (Dixon: "She
was standing on her balcony in a negligee," AND Laurel: "I
believe he was looking at me"); she then bluntly described
why she paid attention to her new neighbor and took an interest
in him almost immediately: ("I noticed him because he looked
interesting. I like his face")
- later, Dixon complimented Laurel on providing a life-saving
alibi, based upon his face: ("It's a good thing you like my
face. I'd have been in a lot of trouble without you"); Laurel
then gave a classic response to Dixon when he attempted to kiss her:
("I said I liked it. I didn't say I wanted to kiss it")
- in an unforgettable dinner conversation scene, murder
suspect Dixon Steele's convincing 'visual' re-enactment of his idea
of the strangulation murder in a car to his cop buddy Det. Sgt. Brub
Nicolai (Frank Lovejoy) and his wife Sylvia (Jeff Donnell): ("Brub,
you sit down there. Sylvia, you sit there on Brub's right. Now, you're
the killer. You're driving the car. This is the front seat...If she'd
been killed before she got in the car, the murderer would've hidden
her body in the back. In that case, he couldn't have dumped her out
without stopping. Now, you're driving up the canyon. Your left hand's
on the wheel....She's telling you she'd done nothing wrong. You pretend
to believe her. You put your right arm around her neck. You get to
a lonely place in the road, and you begin to squeeze. You're an ex-GI.
You know judo. You know how to kill a person without using your hands.
You're driving the car, and you're strangling her. You don't see
her bulging eyes or protruding tongue. Go ahead, go ahead Brub, squeeze
harder. You love her, and she's deceived you. You hate her patronizing
attitude. She looks down on you. She's impressed with celebrities.
She wants to get rid of you. Squeeze harder. Harder. Squeeze harder.
It's wonderful to feel her throat crush under your arm")
- Dixon's famed line of dialogue, a line of script
written for some future work, that he told to Laurel while driving
together: "I was born when she kissed me. I died when she left
me. I lived a few weeks while she loved me." - she repeated
the phrase back to him - but hesitated on the last sentence
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"I was born when she kissed me. I died when
she left me. I lived a few weeks while she loved me."
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"I lived a few weeks while you loved me.
Goodbye, Dix"
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- in the film's unhappy ending, Laurel's teary murmered
words of goodbye to him as he walked away after their relationship
had deteriorated, and he disappeared through an outer archway to
the street: "I lived a few weeks while you loved me. Goodbye,
Dix" - she was repeating the bittersweet words from Dix's
script while leaning wearily on her apartment's door frame
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First View of Neighbor Laurel Gray
Providing Alibi for Dixon Steele
Vivid Re-Enactment of Strangulation
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