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The
Matrix (1999)
In Andy and Larry Wachowski's first remarkable film
in a series of three futuristic sci-fi action films:
- the zoom-shot into dripping Japanese-like characters
in the film's opening
- the scene of the questioning of obsessed computer
software hacker Thomas 'Neo' Anderson (Keanu Reeves) in a white room
after being seized by a sinister agent with a dark suit and sunglasses,
Agent Smith (Hugo Weaving), and a proposed bargain - they would "wipe
the slate clean" if Neo would cooperate in bringing Morpheus
(Laurence Fishburne), "the most dangerous man alive" -
to justice: ("As you can see, we've had our eye on you for some
time now, Mr. Anderson. It seems that you've been living two lives.
In one life, you're Thomas A. Anderson, program writer for a respectable
software company. You have a social security number. You pay your
taxes. And you help your landlady carry out her garbage. The other
life is lived in computers where you go by the hacker alias 'Neo'
and are guilty of virtually every computer crime we have a law for.
One of these lives has a future. And one of them does not")
- and when Neo asked to make a phone call, Agent Smith threatened:
("You're going to help us, Mr. Anderson, whether you want to
or not")
Agent Smith to Thomas "Neo" Anderson:
"You're going to help us, Mr. Anderson, whether you want
to or not"
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- the scene in an upper floor of a dilapidated hotel,
where rebellion leader Morpheus gave a description of The Matrix
(a massive AI system) to cyber-messiah Neo: ("The Matrix is
everywhere. It is all around us. Even now, in this very room. You
can see it when you look out your window or when you turn on your
television. You can feel it when you go to work, when you go to church,
when you pay your taxes. It is the world that has been pulled over
your eyes to blind you from the truth. (Neo asked: "What truth?")
That you are a slave, Neo. Like everyone else, you were born into
bondage, born into a prison that you cannot smell or taste or touch.
A prison for your mind. Unfortunately, no one can be told what the
Matrix is. You have to see it for yourself. This is your last chance.
After this, there is no turning back"
- Morpheus' choice for Neo: a contrast between what
was real and not real by the choice of a pill (a red one and a blue
one, in his open hands and reflected in his glasses): ("You
take the blue pill, the story ends, you wake up in your bed and believe
whatever you want to believe. You take the red pill, you stay in
Wonderland, and I show you how deep the rabbit-hole goes. Remember,
all I'm offering is the truth. Nothing more. (Neo chose the red pill
and swallowed it) Follow me")
- the sequence of Neo being disconnected or "unplugged"
from the Matrix, after Morpheus asked him: ("What if you were
unable to wake from that dream? How would you know the difference between
the dream world and the real world?") - suddenly Neo (in a liquid-filled
pod and connected to wires to suck out his life force energy) was unplugged
from the main cable connected at the back of his neck, and freed; and
he was brought onboard Morpheus' hovercraft the Nebuchadnezzar and
freed, where he was greeted: "Welcome to the real world"
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Neo In Liquid Filled Pod, Literally Plugged
Into and Harvested as an Energy-Producing Battery
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Unplugging
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- the exciting sequence of Neo training in various combat
skills and martial arts via downloads of virtual combat (Jujitsu,
Kempo, Tae Kwon Do, Drunken Boxing, etc.) - and personally facing
Morpheus in a kung fu competition
- Neo's encounter with gifted young child Potentials,
one of whom showed him how to bend a spoon, and then imparted wisdom:
("Do not try and bend the spoon. That's impossible. Instead,
only try to realize the truth...There is no spoon...Then you'll see
that it is not the spoon that bends. It is only yourself")
- the scene during Agent Smith's capture of Morpheus
and his speech that human beings were a virus: ("Human beings
are a disease. A cancer of this planet. You are a plague. And we
are the cure"), and his intense brow-beating to extract the
access codes to the mainframe of Zion: ("I hate this place,
this zoo, this prison, this reality, whatever you want to call it.
I can't stand it any longer. It's the smell. If there is such a thing.
I feel saturated by it. I can taste your stink. And every time I
do, I fear that I have somehow been infected by it. (He wiped sweat
from Morpheus' forehead onto the tips of his fingers, and had Morpheus
smell it.) It's repulsive. Isn't it? (He tightly held Morpheus' head
between his hands). I must get out of here. I must get free. And
in this mind is the key. My key. Once Zion is destroyed, there is
no need for me to be here. Do you understand? I need the codes. I
have to get inside Zion and you have to tell me how. You're going
to tell me or you're going to die" (He gouged his fingers into
Morpheus' flesh))
- the spectacular action sequence inside the Matrix,
set in the lobby of a high-rise - a massive gunfight between the
Chosen One (Neo), Trinity (Carrie-Anne Moss) (both wearing long trenchcoats,
sunglasses, and black boots) and a group of soldiers-guards
- the gripping sequences of a showdown on the rooftop
of the high-rise that defied gravity ("bullet time") with
Neo's mid-air, limbo-style freeze-frames of the dodging of CGI bullet
shots and super-heroic gunfight against shape-shifting Agent Smith,
before their exciting rescue by helicopter
- the climactic underground abandoned subway station
confrontation between Agent Smith and Neo when he was ambushed -
the two engaged in a long kick-boxing struggle (involving some gravity-defying
mid-air conflict and "bullet-time" acrobatics)
- the exciting sequence of the rescue of Morpheus, when
both Morpheus and Trinity safely exited the Matrix, but Agent Smith
ambushed, shot and killed Neo before he could leave; at the same
time in the real world, machines called Sentinels attacked the Nebuchadnezzar;
Trinity whispered to Neo that he couldn't be dead because she loved
him and that the Oracle had told her that she would fall in love
with the One; she kissed Neo and he revived with the power to perceive
and control the Matrix; Neo stood up, raised his arm, and the palm
of his hand resisted more of the agents' bullets in mid-air; as the
One, Neo finally understood that the bullets fired against him were
not real - he saw the Matrix as it really was -- solely lines of
downward-streaming computer code (or 'digital rain'); Neo then singlehandedly
and effortlessly conquered Agent Smith's attack and destroyed him;
when the remainder of the agents fled, Neo returned to the Nebuchadnezzar as
the EMP (emergency self-destruct system) was deployed, producing
a blast of white light to kill off the attacking Sentinels
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Agent Smith Shooting and Killing Neo in the Matrix
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Neo Revived From Death by Trinity's Kiss
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Neo Restored and Resisting Bullets
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Destruction of Agent Smith
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- the concluding voice-over of Neo in the film's short
epilogue, shown as a cursor moving on a black screen, as he made
a telephone call from a phone booth in a busy part of the downtown
area, within the Matrix, and promised to save the people imprisoned
in the Matrix: ("I know you're out there. I can feel you now.
I know that you're afraid. You're afraid of us. You're afraid of
change. I don't know the future. I didn't come here to tell you how
this is going to end. I came here to tell you how it's going to begin.
I'm going to hang up this phone, and then I'm going to show these
people what you don't want them to see. I'm going to show them a
world without you. A world without rules and controls, without borders
or boundaries. A world where anything is possible. Where we go from
there is a choice I leave to you")
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Neo's Threatening Phone Call
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Neo Flying Away
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- when the call was completed, he hung up, stepped out
of the booth, donned his sunglasses, and flew off straight up
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Morpheus: "The Matrix is Everywhere"
Neo's Choice Between Two Pills
Neo's Training in Martial Arts
Bent Spoon
Agent Smith's Threatening Speech to Morpheus
Massive Gunfight and Bullet-Time
Smith vs. Neo
Sentinel (a Search and Destroy Gatekeeper for the Matrix)
The Matrix: Green Lines of Code
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