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On The Town (1949)
In co-director Stanley Donen's and dancer/choreographer
Gene Kelly's musical comedy - a fresh, energetic, kinetic and innovative
landmark MGM musical that was the first major musical to be filmed
on location - the exuberant musical masterpiece won the Oscar for
Best Musical Score:
- the opening show-stopping, two and a half-minute
song-and-dance number "New York, New York (It's a Hell of
a Town)" by three sailors: Gabey (Gene Kelly), shy Chip (Frank
Sinatra) and Ozzie (Jules Munshin), who were looking for romance
during a 24-hour shore leave/furlough after docking in the Brooklyn
Navy Yard, beginning at 6 AM: ("New York, New York, a wonderful
(helluva) town. The Bronx is up and the Battery's down");
the number included their viewings of many prominent sights of
New York City, such as Wall Street, Little Italy, Chinatown, the
Lower East Side, the Statue of Liberty, the Hudson River, the Elevated
Subway, Washington Square Park in Greenwich Village, Grant's Tomb,
Riverside Church, Central Park, the observation deck of Rockefeller
Center, and the Statue of Prometheus
"New York, New York" - Sights of NYC
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- the dream sequence about 'Miss Turnstiles' of the
Month, the selected June subway billboard 'dream girl' - whom Gabey
fell in love with via her poster; in the number, she portrayed
a high-society girl as well as a sporty athlete with various suitors
Dream Girl Ivy Smith ("Miss Turnstiles Ballet")
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- other musical numbers were also performed with their
new girlfriends:
- sexy, toe-tapping anthropologist-student Claire Huddesen (Ann Miller)
(whom Ozzie met in the fictional Museum of Anthropological History
where they performed the song/dance "Prehistoric Man")
before the group accidentally collapsed the anthropology museum’s
dinosaur skeleton [Note: the ending of Bringing
Up Baby (1938)]
- lust-crazed female Globe Cab driver Brunhilde "Hildy" Esterhazy
(Betty Garrett) who advanced on innocent-minded Chip in "Come
Up to My Place", and their duet "You're Awful" atop
the Empire State Building
- ballet dancer Ivy Smith (Vera-Ellen) - who performed a duet with
lovelorn Gabey in "Main Street" after he met her studying
classical ballet with imperious teacher Madame Dilyovska (Florence
Bates)
- the film's climactic title number "On the Town" performed
by the three couples on the Empire State Building's open rooftop
and then on a wide street-level sidewalk
- the stylized and innovative dream sequence titled "A
Day in New York" - also performed by Ivy and Gabey, mostly
in a red spotlight (with black silhouettes) in front of a balance
beam [Note: It was significant in that the number presaged or was
the forerunner of the magnificent final ballet of An
American in Paris (1951)]
"A Day in New York" - Instrumental Dream
Dance
Between Ivy and Gabey
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- the final scene: a reunion between Gabey and Ivy
on Coney Island where he found her performing as a cooch dancer
at a Middle Eastern concession (in order to pay for her ballet
lessons), before the three sailors dressed in drag to evade the
police while being chased, but they were captured by the shore
patrol and taken back to their ship that was scheduled to depart
at 6 AM (24 hours after their leave began); fortunately, the three
girlfriends caught up to them on the dock just before they left,
and offered lots of kisses, embraces, and goodbye waves, with a
reprise of "New York, New York" (by a new trio of sailors
leaving the ship)
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Goodbye Kisses at the Dock
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6:00 AM Departure
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(l to r): Ozzie, Gabey, and Chip
"Prehistoric Man" with Anthropologist Claire
and Ozzie
"Come Up to My Place" and "You're Awful" with
Cab Driver Hildy and Chip
"Main Street" with Ivy and Gabey
Gabey Reunited with Cooch Dancer Ivy at Coney Island
Sailors Dressed in Drag to Evade Police
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