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The Palm
Beach Story (1942)
In Preston Sturges' fast-paced 'comedy-of-errors'
classic screwball comedy - about the threatened relationship between
a married couple with the frustrated wife seeking divorce; also it
provided an amusing look at life among billionaires in Palm Beach,
Florida:
- the frenzied opening credits marriage sequence set
in 1937 set to the tune of the William Tell Overture - a
deliberately puzzling, freeze-frame montage of confusing, mystifying
marital vignettes without dialogue (unexplained until film's end,
when it was revealed that both fiancee-protagonists were identical
twins, and each married the wrong person!)
Confusing Opening Title Marriage Sequence
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- the opening conflict five years later in 1942 between
the financially-strapped couple living in an apartment on Park
Avenue in NYC, and delinquent in their payments - frustrated wife
Gerry (Claudette Colbert), a scatter-brained and fortune-seeking
female, and her beleaguered husband - poor, unsuccessful struggling
inventor and visionary architect Tom Jeffers (Joel McCrea)
- their financial straits were temporarily reprieved
when hard-of-hearing "Wienie King" (Robert Dudley), a bothersome,
rich prospective apartment renter-tenant from Texas in the "sausage
business" generously gave Gerry $700 dollars (covering her rent
and other bills and expenses, now making her "debt-free");
he theorized charitably: "Someday you'll wake up and find everything
behind you. Gives you quite a turn. Makes you sorry for a few of
the things you didn't do while you still could"
- dreading being in debt the next month and "tired
of being broke", Gerry explained to Tom that she was contemplating
breaking up after a five-year marriage; she was planning to move
out and walk out on him - she theorized that she could make him happy
by becoming an "adventuress"
- finding a new, wealthy husband (pre-approved and in his
"good graces") who might help him realize his ambitions and
offer a business partnership to support him: "To know that I could
get you someplace without doing any harm either. You have no idea what
a long-legged gal can do without doing anything. And instead of that,
I have to watch you stamping around proudly, like Sitting Bull in a
new blanket, breathing through your nose while we both starve to death"
Gerry's and Tom's Dress Unzipping and Romantic
Kissing
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- their romantic scene - upon their return home after
dinner - and both a little tipsy, Gerry matter-of-factly stated: "You
know we don't love each other anymore. We're just habits, bad habits...And
when love's gone, there's nothing left but admiration and respect";
when she was unable to unzip the back of her dress, he assisted
and had her sit on his lap - and their love and fondness for each
other was rekindled as he reminded her: "You don't think this
is a little intimate, do you? Doesn't mean anything to you anymore
to sit on my lap, huh?...What if I kiss you there?...Or there?";
she shuddered under the spell of his passionate kisses on her back,
but denied any effect: "It's nothing"; however, she succumbed
as he wrapped his arms around her, and pulled her to himself on
the couch; when he asked: "That doesn't mean anything to you
anymore, huh?", she breathlessly replied: "Almost nothing" (as
her toes curled forward!); she allowed herself to be limply carried
upstairs to their bedroom - their kissing was a prelude to lovemaking
- the next morning, Gerry left a goodbye note enroute
to a divorce: "Darling, Just because you got me soused last
night doesn't alter the logic of the situation. Good bye, Good luck.
I love you. Gerry"
- the madcap and raucous scenes on the southbound train
to Florida when runaway wife Gerry, on her way to obtain a divorce,
experienced the tipsy Ale & Quail Club - an unruly group of aging
sportsmen and millionaires; on the train in the sleeping berth area,
she met the wacky character of crackpot billionaire J.D. Hackensacker
III (Rudy Vallee); later, she had breakfast with him, and bought
her hundreds of dollars worth of extravagant clothes and accessories
in a store; they transferred to his yacht, named The Erl King,
for the rest of the trip from Jacksonville to Palm Beach
- with her beauty, ingenuity, luck and appealing charms,
Gerry's intention was to live the 'good life' in Florida and obtain
monetary support; she told Hackensacker that she needed the cash
to 'pay off' her husband, who demanded an alleged payment of $99,000
before granting a divorce - her real intention was to help her struggling
husband's failing career
- examples of Hackensacker's pithy, funny one liners: "Chivalry
is not only dead, it's decomposed!" and "That's one of
the tragedies of this life - that the men who are most in need of
a beating up are always enormous!"
- the arrival at the West Palm Beach dock, where Hackensacker
was greeted by his eccentric, carefree, man-crazy, oversexed, fast-talking
oddball heiress sister Princess/Countess Centimillia (known as "Maude")
(Mary Astor) - the five-time-married Princess Centimillia had been
divorced three times: "She was annulled twice"; she called
her brother Snoodles, who resided in her Palm Beach mansion
- the premise of complicated mistaken identities, when
Tom pursued Gerry to West Palm Beach, Florida, and to hide her ploy
at the dock, she claimed he was her brother Captain McGlue; the Princess
immediately fell for Tom (Gerry claimed he was not married but "entirely
free") and she invited both of them to stay at her mansion;
Gerry was immediately worried that Tom might ruin Hackensacker's
offer to pay $99,000 for her divorce, and to also bankroll his fanciful
plan of a "suspended airport" for $100,000 -- (Gerry to
Tom: "You're going to get your airport if I have to build it
for you myself - after I'm married")
- the sequence of Hackensacker's elaborate efforts
to romantically serenade Gerry on her balcony by singing "Goodnight
Sweetheart" - with the backing of an orchestra, while Tom was
amorously seducing Gerry in his bedroom, without his knowledge; Gerry
joked to Tom: "I hope you realize this is costing us millions"
"Goodnight Sweetheart" Serenade Sequence
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Hackensacker Serenading Gerry
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Tom Unzipping Gerry's Dress
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Tom's Amorous Seduction of Gerry
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- Gerry announced to Hackensacker that she had decided
to return (with McGlue) to her husband back in NYC; even so, Hackensacker
promised to keep his promise as a benefactor to finance McGlue's
airport for $100,000; but then Gerry revealed the entire masquerade:
"He isn't exactly my brother...He's my husband!"; Hackensacker
continued to insist on financing the Jeffers' airport as a good business
decision
- in the aftermath - due to the lucky coincidence (or
weak plot contrivance) that both Tom and Gerry were identical twins,
there was a return to the wedding altar sequence in the prologue;
Centimillia married Tom's identical twin brother, and Gerry's identical
twin sister married Hackensacker; Tom and Gerry stood by on the left
as Best Man and Bridesmaid; a caption appeared: "and they lived
happily ever after, or did they?"
Ending: Double Marriage of Identical Twins
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Gerry Jeffers
(Claudette Colbert)
Tom Jeffers
(Joel McCrea)
"Wienie King"
(Robert Dudley)
Gerry's Good-bye Note to Tom
On the Southbound Train - The Ale & Quail Club Singing
"Sweet Adaline" to Gerry
On the Train: Gerry Meeting J.D. Hackensacker III
(Rudy Vallee)
Having Breakfast with Hackensacker
In an Extravagant Clothing Store
On Hackensacker's Yacht, the Erl King
Princess/Countess Centimillia ("Maude") (Mary
Astor)
On the Dock - Introducing Tom to Maude as Her 'Brother'
Captain McGlue
Flirtatious "Maude" with Tom
End of the Masquerade - Tom Was Gerry's Husband!
Another Bombshell: The Existence of Both a Twin Brother
and a Twin Sister!
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