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The Pawnbroker (1964)
In director Sidney Lumet's mainstream, socially-conscious
psychological melodrama - the first US film to show a woman nude
from the waist up with bare breasts that was granted a Production
Code seal because the nakedness was integral to the story, and enhanced
with a jazzy Quincy Jones score:
- the opening prologue - a slow-motion, nostalgic,
and idyllic mid-summer memory of a Jewish man with his wife, his
children and older relatives in an open meadow, when suddenly the
images were jarred or interrupted by an unknown menace
- the response delivered by Nazi concentration camp
survivor and embittered East Harlem pawnbroker Sol Nazerman (Rod
Steiger) to young Puerto Rican Jesus Ortiz (Jaime Sanchez), his shop
assistant, and his question about Jewish business success: "So
how come you people come to business so natural" - Nazerman
answered (in part): "You people? Oh, I see. Yeah. I see. I see,
you, uh, you want to learn the secret of our success, is that right?
All right, I teach you. First of all, you start off with a period
of several thousand years, during which you have nothing to sustain
you but a great bearded legend. Oh my friend, you have, uh, no land
to call your own, to grow food on or to hunt. You have nothing. You're
never in one place long enough to have a geography or an army or
a land myth. All you have is a little brain. A little brain and a
great bearded legend to sustain you and convince you that you are
special, even in poverty. But this, uh, this little brain, that's
the real key, you see. With this little brain, you go out and you
buy a piece of cloth, and you cut that cloth in two and you go out
and sell it for a penny more than you paid for it. Then you run right
out and buy another piece of cloth, cut it into three pieces and
sell it for three pennies profit....You just go on and on and on
repeating this process over the centuries, over and over, and suddenly
you make a grand discovery. You have a mercantile heritage! You are
a merchant. You are known as a usurer, a man with secret resources,
a witch, a pawnbroker, a sheenie, a makie and a kike!"
Sol's Answer to Question by Jesus Ortiz
about Jewish Business Success
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- quick-cutting flashbacks representing Sol Nazerman's
memory flashes (including his memory of outstretched hands next
to barbed wire having jewelry removed from fingers by the Nazis,
after he glanced at a pregnant customer's glittering diamond engagement
ring, or a barking dog and rumble in the slum triggered his recollection
of an attempted concentration camp escape by a man struggling to
climb over a wire fence before being attacked by a Nazi German
shepherd)
Disturbing and Associative Flashcuts
Back to Concentration Camp Horrors
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In the Present
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In the Death Camp
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- the shock of Sol's skewering and puncturing of
his hand on a paper holder
- the controversial scene in which a black prostitute
(Thelma Oliver), the girlfriend of his employee Jesus, bared her
breasts for him in exchange for money ("You've got to get me
some money - Look!"); a fast series of clips alternated between
shots of the prostitute, himself, and his brutal, intense and triggered
flashbacks of Nazi guards readying themselves to sexually assault
his humiliated wife Ruth (Linda Geiser) (also seen briefly topless)
years before - because he interpreted sex as dark and evil, he covered
the young topless woman with her raincoat, and gave her a $20 dollar
bill
- the sequence of Sol's crisis of conscience when he
accepted the fact that his black business backer Rodriguez (Brock
Peters), a local crime boss, was using the unprofitable pawnshop
as a front to launder money for his rackets - and brothel businesses
(the exploited prostitute worked in the brothel)!
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Robbery of Pawn Shop: Tangee with Other Thugs
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Robbery Attempt with Firearm
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Ortiz' Death on the Sidewalk
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Sol's Reaction
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- in the tragic conclusion, a robbery by a neighborhood
gang leader Tangee (Raymond St. Jacques) and two thugs (encouraged
by a spiteful Ortiz who had been told: "You are nothing to
me") led to Ortiz' death when he stepped in between and was
hit by a gunshot aimed for Nazerman - Ortiz crawled out to the
sidewalk and died in the street, after confessing: "I said
no shootin'. No to hurt you"
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Prologue
Black Prostitute
(Thelma Oliver)
Triggering Sol's Flashback of His Wife's Rape in Camp
Sol's Wife Ruth Nazerman (Linda Geiser) - Abused in Death
Camp
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