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Peyton Place (1957)
In director Mark Robson's sanitized, yet still torrid
soap-opera adaptation of Grace Metalious' best-selling scandalous
novel about small-town repression, incest, suicide, rape, homosexuality,
adultery, abortion, and murder:
- the opening credits and sequence with picture-postcard
views of a New England town, Peyton Place
- the early scene of red-dressed, overtly-sexual tramp
Betty Anderson (Terry Moore), who realized that showing cleavage
had its advantages, as she told her girlfriends in a dress shop: "Allison,
according to my philosophy, what other people think will not pay
the rent. So if you're accused of bein' fast, you might as well run.
That way you get to all the good things first. Just remember: men
can see much better than they can think. Believe me, a low-cut neckline
does more for a girl's future than the entire Britannica encyclopedia."
- the scene of aspiring, sexually-curious writer Allison
MacKenzie (Diane Varsi) - the teenaged, coming-of-age daughter of
blonde and prudish single mother Constance "Connie" MacKenzie
(Oscar-nominated Lana Turner) - delivering her first kiss (in her
'secret place') to nerdy, shy and virginal Norman Page (Russ Tamblyn)
on a large boulder on the hillside overlooking town, and later swimming
in the lake (due to a misunderstanding, they were reportedly skinny-dipping,
when it was really Betty and boyfriend Rodney (Barry Coe) who were
swimming naked)
- the scene of tormented, wrong-side-of-the-tracks Selena
(Hope Lange) fighting off the advances of her drunken stepfather
Lucas Cross (Arthur Kennedy) in their tarpaper shack; during the
film's incestuous rape scene, Selena had returned home, where her
alcoholic father suggested they drink to celebrate her
"growing up." He approached her: "About time I started
teaching you something...Never had nothing I ever wanted. Never had
a beautiful woman." She fought off his advances - with views of
her straining hands holding onto the bedframe. She pleaded: "Let
me up" with her face seen in full close-up, as the scene shifted.
The Incestuous Rape of Selena (Hope Lange)
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- the big Labor Day picnic sequence
- the scene of Constance's stunning revelation to her
shocked daughter Allison that she was born out of wedlock, and that
she had lied to her about her father: (Constance: "Wonderful
and fine and good. That's what I told you? Well, I lied. I lied about
him because I was ashamed of him and of myself" Allison:
"Well then, why did you marry him?" Constance: "I didn't!
And he didn't marry me, because he already had a wife!...He had a wife!")
- the climactic murder courtroom trial of Selena (for
bludgeoning her father to death during a second rape attempt) including
Dr. Matthew Swain's (Lloyd Nolan) harsh and unapologetic confession-testimony
as a witness for the defense: ("I assisted her (Selena) in a
miscarriage - a miscarriage of Lucas Cross' baby"), although
earlier in the film, he had claimed that she had an appendectomy
- the film's ending in which Allison was reconciled
to her mother on the front steps of her house; in voice-over, Allison
remembered: "We'd finally discovered that season of love. It
is only found in someone else's heart. Right now, someone you know
is looking everywhere for it, and it's in you."
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Ending: Allison Reconciled with Mother Constance
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Pull-back Shot From The House During Allison's
Voice-Over
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Opening Credits
Betty Anderson (Terry Moore)
First Kiss: Allison with Norman
Later: Swimming
Betty Reunited with Boyfriend Rodney (Barry Coe), at the
Labor Day Picnic
Betty and Rodney 'Skinny-Dipping' By the Lakeside
Constance's Revelation to Allison That She Was Born Out
of Wedlock
Selena's Climactic Courtroom Murder Trial
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