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Picnic (1955)
In Joshua Logan's widescreen version of William Inge's
Pulitzer Prize-winning play, about a day-in-the-life of a small Kansas
town in the mid-1950s:
- the arrival of unemployed, egotistical, bravado-filled,
charming drifter Hal Carter (William Holden) in a small Kansas
town to visit his ex-fraternity brother friend Alan Benson (Cliff
Robertson), the son of the wealthiest man in town - grain industrialist
Mr. Benson (Raymond Bailey)
- Carter - who was often seen during early scenes with
his shirt off (and considered "naked as an Indian") - and
his growing acquaintance with Marjorie "Madge" Owens (Kim
Novak), Alan's red-haired girlfriend, a dime-store clerk
- as 19 year-old Madge stood before a mirror, her worried
single mother Flo (Betty Field) continually encouraged her to get
married before her time passed: "If she loses her chance when
she's young, she might as well throw all her prettiness away...And
next summer you'll be 20, and then 21, and then 40"
- the scene atop a huge grain elevator, where Hal unrealistically
described his white-collar employment goals, and dreamed that he
was an executive: ("Maybe something in a nice office where I
could wear a tie and have a sweet little secretary, and talk over
the telephone about enterprises and things. I gotta get someplace
in this world! I just gotta!"), he was cautioned to first be "a
little patient"
- Alan's worshipping idolization of Madge, who was dissatisfied
with just looking pretty:
"After the picnic tonight, let's get away from the others...We'll
take a boat out on the river... I wanna find out something, I wanna
find out if you look real in the moonlight... You are the most beautiful
thing I've ever seen"
- the character of aging, "old maid" schoolteacher
Miss Rosemary Sydney (Rosalind Russell), the Owens' boarder, who
was in a relationship with store owner Howard Bevans (Oscar-nominated
Arthur O'Connell); during the night's sunset with him, she mused
about how her time was growing shorter: "Look at that sunset,
Howard!...It's like the daytime didn't want to end, isn't it? It's
like the daytime was gonna put up a big scrap, set the world on fire
to keep the night from creeping on"; much later in the film, late
at night after a disastrous picnic and dance, a desperate and distraught
Rosemary pathetically and shamelessly grabbed onto the overwhelmed
Howard on her porch and begged him: "You gotta marry me, Howard";
when he asked for her to at least add the word "please" to
her request, she dropped to her knees and entreated him: "Please
marry me, Howard"
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Rosemary With Howard
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Sunset Scene
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"You gotta marry me, Howard...Please marry
me, Howard!"
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- Carter's attendance at the quintessential, All-American
annual Kansas town's Labor Day picnic in Riverside Park, with Alan
and Madge's smart younger tomboyish sister Millie (Susan Strasburg)
as his 'date', a college-bound high-school senior (who was sneaking
cigarettes)
- Madge's election as the picnic's Queen of Neewollah
(Halloween spelled backwards), when she professed: "I'm very
proud and I'll try hard to be a good queen. I'll try hardest of all
not to get conceited"; shortly later, Hal noticed her as she
arrived at the dance dock in a swan-shaped paddle-boat
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Reaction at Picnic to the Crowning of Madge as
Queen
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- the incredible circling camera work (by James Wong
Howe) during the sensual slow "mating" dance of sexy
Hal Carter and "Madge" Owens (in billowing pink) to "Moonglow" under
colorful Japanese lanterns on a boat dock landing at night
"Moonglow"
Mating Dance: Hal and Madge
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Rosemary's Embarrassing Advances and Criticism
of Hal
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- after Hal's dance with Madge, a drunken Rosemary
jealously forced herself onto Hal for a dance while admiring his
physique: ("You remind me of one of those old statues - one
of those Roman gladiators. All he had on was a shield"); when
he rejected her and pushed her away and his shirt was torn, Rosemary
turned on him and bitterly derided him for ignoring his 'date'
Millie (who had become drunk) while he was going after pretty-looking
Madge: "You've been stompin' around here in those boots like
you owned the place, thinkin' every woman you saw was gonna fall
madly in love. Well, here's one woman didn't pay you any mind.
Raggin' about your father. And he wasn't any better than you are.
Struttin' around here like some crummy Apollo. You think just 'cause
ya act young, why you can walk in here and make off with whatever
you like. Let me tell you somethin'. You're a fake! You're no jive
kid. You're just scared to act your age. Buy yourself a mirror
sometime and take a look in it. It won't be many years now before
you're countin' the gray hairs, if ya got any left. And what'll
become of ya then. You'll end your life in the gutter and it'll
serve you right, 'cause the gutter's where you came from, and the
gutter's where you belong!"
- after the embarrassing scene at the dance, Madge followed
Hal and they drove to the town's train station - he threatened to
leave; they had a heart-to-heart talk about his failed life beginning
when he was a boy in a reform school/jail: ("What's the use,
baby? I'm a bum. She saw through me like an X-ray machine. There's
no place in the world for a guy like me"); his confessions brought
an encouraging kiss from Madge (alongside the rail tracks); she also
told him: "I get so tired of just being told I'm pretty"
- it was the start of a romantic relationship between them
- the final scene of Carter kissing Madge goodbye as
he professed his love for her, before leaving for Tulsa to work as
a hotel bell-hop: ("I gotta know how you feel. Last night I
thought you liked me....I love you, Madge. Do ya hear?...Do you love
me? Do you?....I'm catchin' that freight. Meet me baby. We'll get
married. They'll give me a room in the hotel. It'll be OK until we
find somethin' better....Look, baby. I got a chance with you. It
won't be big time, but that isn't important, is it?...Come on...Listen,
baby. You're the only real thing I ever wanted. Ever! You're mine.
I've gotta claim what's mine or I'll be nothin' as long as I live...You
love me, you know it, you love me, you love me! You love me!")
and then he jumped onto a passing freight train
Running off to Freight Train: "You love me,
you know it"
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- the amazing aerial helicopter shot of Madge's bus
following Hal's freight train (bound for Tulsa) - eventually catching
up and going in the same direction at the same speed
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Meeting for the First Time: Hal Carter and "Madge" Owens
Flo's Encouragement to Daughter to Marry Young
Hal's Unrealistic Dream Job
Madge's Dissatisfaction with Idolizing Boyfriend Alan
Annual Labor Day Picnic
Dancing Under Japanese Lanterns on Boat Dock
The Start of a Romance
Goodbye Scene - Profession of Love to Madge: "You're
the only real thing I ever wanted"
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