|
The Postman
Always Rings Twice (1946)
In director Tay Garnett's thriller-noir based upon
James M. Cain's novel:
- the opening sequence of unemployed, hitchhiking
drifter Frank Chambers (John Garfield) being dropped off in front
of the rural Twin Oaks diner, owned by California roadside eatery
proprietor Nick Smith (Cecil Kellaway), with the fateful sign:
MAN WANTED (a come-on with many meanings!)
- young wanderer Frank's brief conversation with the
driver as he was about to set off (soon identified as Kyle Sackett
(Leon Ames), the local district attorney prosecutor), revealing his
wanderlust freedom and explaining why he kept "looking for new
places, new people, new ideas," and couldn't settle down:
"Well, I've never liked any job I've ever had. Maybe the next
one is the one I've always been lookin' for....maybe my future starts
right now"
- after being hired as the diner's handyman and mechanic,
the first appearance of smoldering, femme fatale Cora (Lana
Turner); her lipstick case noisily rolled across the floor of the
cafe toward him as he sat at the diner counter; the camera tracked
back to her nude slim legs in the doorway; Frank looked at all of
her - she was provocatively sexy and scantily clad in a white, two-piece
playsuit (white shorts, white halter top, and white turban); he set
his eyes on the whitish platinum-blonde woman, bent down and picked
up her lipstick, and asked: "You dropped this?" She stood
with her hand outstretched, waiting for him to bring it over to her.
But he held onto her possession in the palm of his own hand and then
leaned back on the counter; she strutted over and took the case out
of his hand; she walked back to the doorway, stood sideways, and
applied lipstick to her lips before shutting the door
The Dramatic Entrance of Cora
|
|
|
|
|
Frank to Cora: "You dropped this?"
|
|
- after Cora's dramatic entrance into the cafe (sexily
clad in white shorts, a halter and turban), she and hired worker
Frank officially met and spoke for the first time; she began bossing
and sizing him up while he made suggestive advances towards the
untouchable yet glamorous woman; suddenly, Frank grabbed her and
planted a kiss on her lips; she reacted with great poise - she
pulled out her vanity mirror, cleaned up the smudged lipstick on
her lips, and then reapplied the lipstick before leaving - without
a word; there was terrific magnetism between the two
- the incriminating note that Cora put into the cash
register: "Nick - I'm going away with Frank - I love him. Cora" -
when they planned to run away together; however, they changed their
minds, and returned in time to retrieve the note
- smitten from the very start, Frank proposed to the
voluptuous Cora to leave with the promise of adventure to escape
her life of boredom and defeat, and her marriage of convenience;
the evil and conniving Cora convinced Frank to murder her husband
Nick Smith, because she was engaged in a loveless marriage with him:
(Cora: "There's, there's one thing we could do that would fix
everything for us" Frank: "What? Pray for something to
happen to Nick?" Cora: "Something like that") - unfaithful
and soul-less Cora planted the idea of murder into Frank's head so
that they could be together
- the many illicit, moonlit beach swimming scenes between
Cora and Frank
- there was a second successful attempt to kill Nick
with a staged accident on the road to Malibu Lake (by getting him
drunk, knocking him unconscious, and pushing the car (with him inside)
off the side of the road down a cliff), after the first attempt failed
(a bathtub accident); as they both decided to climb down to the car
("We gotta mess ourselves up so we can prove we've been in the
accident too"), Frank was the only one who climbed down, and
he became trapped in the car as it plummeted further down
|
|
|
The Plot to Kill Nick (Second Attempt)
|
Frank Pushing Car Over Cliff (With Drunken, Unconscious
Nick Inside)
|
Frank to Cora: "It's gonna be tough going
now. Are you sure you can go through with it?"
|
- the slow deterioration of the relationship between
the two lovers, orchestrated when Cora's lawyer had her plead 'guilty'
to both counts: murder (against Nick Smith) and the attempted murder
(of Frank); both began to distrust and despise each other, resulting
in Cora retaliating by testifying that Frank was implicated in
Nick's murder: ("This will be a full and complete confession
of how Frank Chambers and I deliberately planned and carried out
the murder of my husband Nicholas Smith. Frank Chambers and I are
equally guilty, although it was Frank who smashed Nick in the head
before the car went over the cliff"); as a result of her lawyer's
ploy, Cora plea-bargained, was acquitted and freed; they pledged
to restore their love, although they remained tense toward each
other
- during a midnight swim, Cora swam out and threatened
to drown herself; she asked for Frank's assistance to live - they
both vowed to trust and love each other and restore their relationship
- the finale's tragic accidental car crash scene; as
the star-crossed lovers, now reconciled, drove along the highway
and neared their home, Frank asked for a long-awaited kiss; she was
painting her lips with lipstick; her last words before warning of
an impending crash were: "When we get home, Frank, then there'll
be kisses, kisses with dreams in them. Kisses that come from life,
not death"; he responded: "I hope I don't wait"; she
replied lovingly: "Darling," and then they kissed, but
she soon cried out frantically: "Look out, Frank!" - (their
final kiss was unfortunately, however, a fatal one); with startling
imagery - the car door opened after the crash, Cora's lifeless arm
fell off the seat, and her tube of lipstick slowly dropped to the
floor of the car and onto the ground
- the subsequent trial when Frank was convicted of
murdering Cora (although it was truly an accident); the headlines
read: "GRAND JURY INDICTS CHAMBERS AS SLAYER: Killed Wife
In Bogus Auto Accident, Charged to Face Murder Trial - Sensational
Cora Smith Case Has Aftermath in Action against Husband");
the sentencing of Frank to death (execution in the gas chamber): "This
man, Frank Chambers, and the dead woman, first murdered her husband
to get his estate. And then Chambers murdered her so that he would
have it all to himself
- knowing that he was fully involved in plotting Nick's
murder, Frank realized that it was futile to try to defend himself;
it was argued that Frank was guilty all along - if not for Cora's
murder, then for Nick's murder; Frank realized that if he was innocent
of the car crash death of Cora, he could still be prosecuted for
the death of Nick
- in the concluding scene, Frank mused about Fate (portrayed
as the figurative 'postman'), that had determined that both Frank
and Cora would pay in the long run - thus explaining the title of
the film: "You know, there's somethin' about this that's like,
well, it's like you're expectin' a letter that you're just crazy
to get. And you hang around the front door for fear you might not
hear him ring. You never realize that he always rings twice...He
rang twice for Cora. And now he's ringing twice for me, isn't he?...The
truth is, you always hear him ring the second time, even if you're
way out in the back yard"
- Frank accepted his fate with one final prayer request
of the priest Father McConnell (Tom Dillon) - he would pay with his
life for a crime he didn't commit (Cora's death), making up for getting
away with the murder of Nick: "Somehow or other, Cora paid
for Nick's life with hers. And now I'm going to. Father, would you
send up a prayer for me and Cora, and if you could find it in your
heart, make it that we're together, wherever it is?"
|
The Twin Oaks Diner
Lipstick Case
Nude Slim Legs
Frank Chambers (John Garfield) - His First Glance at Cora
First Real Conversation Between Frank and Cora
Incriminating Note
Conniving to Kill Cora's Husband Nick
Furtive Kisses
Moonlight Swimming
Frank Charged With Cora's Murder After Car Crash
Frank's Final Words to the Prison Priest
|