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Rebecca
(1940)
In Alfred Hitchcock's Best Picture-winning first American
film that was based upon a Daphne du Maurier novel - it told about
a damsel-in-distress, recently married to a dashing and rich lord
of an ancestral manor named Manderley, who was haunted by the memory
of the man's first wife - a dead woman named Rebecca:
- the opening scene of the revelation of the ruins
of Manderley as the second Mrs. De Winter (Joan Fontaine) in voice-over
described her flashbacked dream: ("Last night, I dreamt I
went to Manderley again. It seemed to me I stood by the iron gate
leading to the drive, and for a while I could not enter for the
way was barred to me. Then, like all dreamers, I was possessed
of a sudden with supernatural powers and passed like a spirit through
the barrier before me. The drive wound away in front of me, twisting
and turning as it had always done. But as I advanced, I was aware
that a change had come upon it. Nature had come into her own again,
and little by little had encroached upon the drive with long tenacious
fingers, on and on while the poor thread that had once been our
drive. And finally, there was Manderley - Manderley - secretive
and silent. Time could not mar the perfect symmetry of those walls.
Moonlight can play odd tricks upon the fancy, and suddenly it seemed
to me that light came from the windows. And then a cloud came upon
the moon and hovered an instant like a dark hand before a face.
The illusion went with it. I looked upon a desolate shell, with
no whisper of the past about its staring walls. We can never go
back to Manderley again. That much is certain. But sometimes, in
my dreams, I do go back to the strange days of my life which began
for me in the south of France...")
- the scene of wealthy, grieving widower Mr. Maxim
De Winter (Laurence Olivier) contemplating suicide by jumping to
his death
- the scenes of Maxim's courtship of a young blonde
woman (Joan Fontaine) in Monte Carlo; he proposed marriage to her
as she was about to depart from France; he asked her to make a choice
between leaving for America or returning with him to Manderley; she
didn't understand his veiled marital proposal (delivered off-screen
from the bathroom), thinking he wanted to hire her for some other
purpose (Woman: "You mean you want a secretary or something?" Maxim
De Winter: "I'm asking you to marry me, you little fool")
- the first appearance of the stern and unsmiling housekeeper
Mrs. Danvers (Judith Anderson) to the second Mrs. De Winter in Manderley's
great front hall; the newlywed couple were greeted by an army of
over fifteen servants standing as if posed for a picture; the young
bride met the unsmiling, severe, ominous, dark-haired, and slightly
hostile housekeeper Mrs. Danvers as she appeared from the left in
front of the lineup ("How do you do? I have everything in readiness
for you")
- the chilling scene of Mrs. Danvers touring the closed-off
bedroom of deceased first wife Rebecca with the second Mrs. De Winter;
the sinister Mrs. Danvers opened the curtains to the bedroom and
went through her intimate belongings; she opened the woman's closet:
("This is where I keep all her clothes"), selected a fur
coat, seductively held it and caressed it next to her own cheek (with
a lesbian-fetish interest) and then brushed it by the cheek of a
nameless, horrified, and recoiling second Mrs. de Winter, stating:
"Feel this. It was a Christmas present from Mr. de Winter. He
was always giving her expensive gifts, the whole year round. I keep
her underwear on this side..."; she also showed off an embroidered
pillowcase on the bed (monogrammed with an "R") and its "delicate" sexy
nightgown inside - one of Rebecca's most intimate articles of clothing: "Did
you ever see anything so delicate. Look, you can see my hand through
it."
- the striking scene when Mrs. De Winter courageously
summoned Mrs. Danvers and demanded that all of Rebecca's monogrammed
stationary and personal effects be destroyed immediately; when Mrs.
Danvers protested, she stood up to Mrs. Danvers and asserted her
controlling authority as mistress of the house: "I am
Mrs. de Winter now"
- the cruel set-up of the 'second' Mrs. De Winter, by
suggesting that she take inspiration from the stairs-hall portrait
of one of Maxim's ancestors with a fluffy white dress, similarly
worn by Rebecca at the previous masquerade ball
- the radiant new bride glided down the stairs in a
copy of Rebecca's white ruffled dress for the costume ball and was
told harshly by Maxim to take the dress off: ("What the devil
do you think you're doing?...Go and take it off. It doesn't matter
what you put on. Anything will do. What are you standing there for?
Didn't you hear what I said?")
- the following scene of the cruel torment that Mrs.
Danvers inflicted on the second Mrs. De Winter: "I watched you
go down just as I watched her a year ago. Even in the same dress
you couldn't compare...You tried to take her place. You let him marry
you. I've seen his face, his eyes. They're the same as those first
weeks after she died. I used to listen to him, walking up and down,
up and down, all night long, night after night, thinking of her.
Suffering torture because he lost her...You thought you could be
Mrs. De Winter. Live in her house. Walk in her steps. Take the things
that were hers. But she's too strong for you. You can't fight her.
No one ever got the better of her. Never. Never. She was beaten in
the end, but it wasn't a man. It wasn't a woman. It was the sea"
Mrs. Danvers' Torment of the 'Second' Mrs. De
Winter
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Mrs. Danvers: "You tried to take her place"
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Mrs. Danvers: "You can't fight her. No one
ever got the better of her. Never. Never."
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- the chilling scene of Mrs. Danvers urging the second
Mrs. De Winter to jump to her death from the second story window: "Why
don't you go? Why don't you leave Manderley? He doesn't need you.
He's got his memories. He doesn't love you - he wants to be alone
again with her. You've nothing to stay for. You've nothing
to live for really, have you? Look down there. It's easy, isn't
it? Why don't you? Why don't you? Go on. Go on. Don't be afraid!";
distractions from explosive flares and shouts of the discovery
of a sunken boat ("Shipwreck! Ship on the rocks") following
a storm at sea prevented her from losing her sanity and jumping;
it was the sailboat in which Rebecca had presumably drowned
Mrs. Danvers' Torment of the 'Second' Mrs. De
Winter
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"Why don't you go? Why don't you leave Manderley?"
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Mrs. Danvers Urging Suicide: "Why don't you?
Go on. Go on. Don't be afraid!"
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- the haunted Mr. De Winter's dramatic confession
to his wife that Rebecca's body would be found there in the boat
because he had planted it: ("I put it there"); he also
revealed - to her shock - that he actually despised Rebecca: ("You
thought I loved Rebecca? You thought that? I hated her!...But
I never had a moment's happiness with her. She was incapable of
love, or tenderness, or decency")
- the scene of Maxim's reenactment of the troubling
event of Rebecca's actual death in the boat house for his second
wife - that summarily recounted how his marriage with Rebecca was
a "rotten fraud"; as he spoke, the camera panned through
the room, pausing on various key objects (such as the divan and the
ship's tackle coiled up on the floor); it followed Rebecca's actions
while he reconstructed them
- in the sequence, Maxim described how the conniving
Rebecca had attempted to have her husband murder her by telling him
that she was pregnant with another man's child; during the fearsome
taunting and quarrelling, Rebecca accidentally tripped over some
ship's tackle on the boathouse floor, fell, and struck her head -
and was mortally wounded; Maxim finished the story of how he panicked
and then covered up the act; he took Rebecca's body to her boat,
went into the ocean and deliberately sank it by making a hole in
its hull, and then escaped and watched it sink; afterwards, he lied
- claiming that Rebecca was lost in a storm at sea and drowned; and
further, when a body conveniently washed up at Edgecoombe, he identified
it as the body of his late wife
- the night before a coroner's inquest into Maxim de
Winter's first wife's drowning death, the second Mrs. de Winter was
worried about how her husband might lose his temper at the hearing;
she lovingly asked to be there at his side, as they stood together
in front of the huge fireplace: "I want to go to the inquest
with you....I promise you I won't be any trouble to you. I must be
near you so that no matter what happens, we-we won't be separated
for a moment"; Maxim examined his new wife's face, and noticed
how she had lost her youth and matured in spite of his wishes. They
shared a very mature, heart-felt embrace and some kisses after he
confessed to her: "I don't mind this whole thing, except for
you. I can't forget what it's done to you. I've been thinking of
nothing else since it happened. Ah, it's gone forever, that funny
young, lost look I loved won't ever come back. I killed that when
I told you about Rebecca. It's gone. In a few hours, you've grown
so much older"
- the shocking discovery that on the day of her death,
Rebecca had learned that she was NOT pregnant with a child but suffering
from terminal, inoperable cancer; she knew that she had little time
left before her death; Rebecca's last words in the office of her
physician Dr. Baker (Leo G. Carroll) revealed that she was determined
to end her life immediately to spare herself from a long and unglamorous
death; when she was told she would die in a few months, she responded
("Oh no, doctor, not that long"); her intention was to
provoke Maxim into killing her in the beach house (taunting him with
the deceitful news of a pregnancy by another man and carrying a child
that would someday inherit his possessions) to try to destroy him
as well - but then she fell
- in the final sequence, devoted and faithful housekeeper
Mrs. Danvers was crazed by the truth that was revealed about Rebecca
- that Mrs. De Winter actually had terminal cancer; she carried a
lighted candle through the darkened hallways and set Manderley on
fire, determined to burn the cavernous mansion; as the master of
the house Maxim de Winter drove home from London and proceeded up
the long driveway to Manderley, the sky was brightly lit by the flames
of the mansion - he exclaimed: "That's not the Northern lights.
That's Manderley!"; outside the mansion, he and Mrs. de Winter
found each other and embraced, while they watched the great house
burn behind them; Mrs. de Winter told her husband: "It's Mrs.
Danvers. She's gone mad. She said she'd rather destroy Manderley
than see us happy here"
- the death of Mrs. Danvers in Rebecca's bedroom; she
was consumed in the blazing inferno as the flames burned her and
the memories of her beloved mistress; she was last seen through a
West Wing window, remaining trapped inside Rebecca's bedroom as the
burning roof caved in on top of her; the movement of destructive
flames approached an embroidered, monogrammed "R" on the
pillowcase
Manderley's Destructive Flames
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"She said she'd rather destroy Manderley
than see us happy here"
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The Mad Mrs. Danvers in Flames
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Flames Burning Monogrammed "R" on Pillowcase
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Ruins of Manderley
The Disconsolate Mr. Maxim De Winter (Laurence Olivier)
Contemplating Jumping to His Death in Monte Carlo
Maxim's New Young Acquaintance (Joan Fontaine)
(Off-screen) Wedding Proposal by Maxim De Winter
Newly-Married Bride Going to Manderley with Maxim
The Entrance of the Stern Housekeeper Mrs. Danvers
Tour of the Bedroom and Rebecca's Intimate Belongings
To Mrs. Danvers: "I am Mrs. de Winter Now"
Portrait of One of Maxim's Ancestors
New Bride Wearing Rebecca's Dress (To Match Portrait)
Mr. de Winter's Shocking Revelation About Rebecca: "I
hated her"
Kisses In Front of Fireplace Before Coroner's Inquest: "Ah,
it's gone forever, that funny young, lost look I loved won't ever
come back"
Rebecca's Physician Dr. Baker (Leo G. Carroll)
Telling About Rebecca's Terminal Illness and Her Desire to Kill
Herself
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