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Tokyo Story (1953, Jp.) (aka Tokyo
Monogatari)
In Yasujiro Ozu's acclaimed, deliberately-paced melodramatic
masterpiece (the best film of his entire career) - a classic family
drama that illustrated how changing industrialized times in post-war
Japan of the 1950s had severed the virtue of children and society
honoring one's parents ("Children don't live up to their parent's
expectations. Let's just be happy that they're better than most"),
and created tensions between generations ("Times have changed.
We have to face it") [Note: Inspired by the Leo McCarey film Make
Way for Tomorrow (1937).]:
- the sad yet realistic story told mostly with knee-high
camera placement ("tatami-mat" shot) -- a family visit
by an elderly, unassuming middle-class couple from the provincial
seaport coastal town of Onomichi: Shukishi (Chishu Ryu) and Tomi
Hirayama (Chieko Higashiyama), who traveled to Tokyo by train to
visit two of their grown children, both very career-minded: Koichi
(Sô Yamamura), their eldest son - a pediatrician, and Shige
Kaneko (Haruko Sugimura), their selfish daughter - the owner of
the Ooh La La Beauty Shop
- the scenes of the reaction of the children to their
undemanding parents - feeling interrupted and irritated by the visit,
acting rude and distracted, too busy to entertain, and feeling imposed
upon in space, resources, and time, etc.
- the kind-hearted, sincere and humble character of
their widowed daughter-in-law Noriko (Setsuko Hara), an office worker,
who volunteered to take a day off and join her in-laws to see the
city's sights - the only caring individual (and not even a blood
relative!) - Shukishi noted: "We have children of our own, yet
you've done the most for us, and you're not even a blood relative.
Thank you"
- upon the grandparents' return home, the grandmother
Tomi became deathly ill, entered a coma and soon died; the funeral
was attended by all of the children and Noriko, but most of the next
generation's members (except Noriko) were selfish, not sincere, guilt-ridden,
and quickly left town after the funeral
- in a tender concluding scene, the lonely grandfather
and Noriko spoke about the sunrise, and he presented her with a memento
- his dead wife's "old-fashioned" wristwatch, bringing
tears to her eyes
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