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Wild Strawberries (1957, Swe.) (aka
Smultronstället)
In Ingmar Bergman's allegorical, deeply-emotional road
film:
- the main character: Isak Borg (legendary silent
film actor and Scandinavian director Victor Sjostrom), a 78 year-old
widowed, wealthy, retired medical professor and doctor, who in
the opening pre-credits lines - while sitting at his desk - described
his lonely life (in voice-over): "In all our relations with
other people, we mainly discuss and evaluate their character and
behavior. That is why I have withdrawn from nearly all so-called
relations. This has made my old age rather lonely. My life has
been full of hard work and I am grateful. It began as toil for
bread and butter and ended in a love for science. I have a son,
also a doctor, who lives in Lund. He has been married for many
years. They have no children. My old mother is still alive and
is very active, despite her age. My wife Karin has been dead for
many years"
- Isak's opening, expressionistic dream sequence (also
in voice-over) on a deserted city street ("In the early hours
of June 1st, I had a weird and very unpleasant dream. I dreamt that
during my morning walk, I lost my way among empty streets with ruined
houses") where he looked up at a clock without hands (his own
pocketwatch was also without hands), encountered a faceless figure
who collapsed on the pavement with blood streaming out, and saw a
driverless hearse pulled by horses with a coffin inside holding his
own corpse
- the lonely, melancholic professor's reassessment of
his heartless, constrained and cold life while on a one-day, 300-mile
car trip from Stockholm to his former university in Lund to receive
an honorary degree in the Cathedral, while traveling with his pregnant
daughter-in-law Marianne (Ingrid Thulin), unhappily married and estranged
to his physician son Evald (Gunnar Björnstrand); during the
trip, he told her about his own unhappiness: "I was an unwanted
child in a hellish marriage"
- the sequences of his revisiting (both in his flashbacked
imagination and literally) many of the landmarks of his past (his
summer home where a patch of wild strawberries grew) that brought
up long-lost memories and was a sentimental reminder of his onetime,
long-departed sweetheart cousin Sara (Bibi Andersson) (through a
young hitchhiker also named Sara), who married Isak's irresponsible,
good-for-nothing brother Sigfrid (Per Sjöstrand); and at a gas
station, the husband-wife owners Henrik and Eva Åkerman (Max
von Sydow and Ann-Marie Wiman) recalled Isak's generosity to them
years earlier
- enroute, they stopped at the home of Isak's elderly
mother (Naima Wifstrand) who showed Isak a box of mementos, including
old toys and a pocket watch with no hands (the same one seen in his
opening dream sequence); after the visit, Marianne reacted to Isak's
mother with fears for her own pregnancy and later life: "I thought:
That's his mother. An old woman, cold as ice, more forbidding than
death. And this is her son, and there are light years between them.
He himself says he's a living corpse. And Evald is growing just as
lonely, cold and dead. And I thought of the baby inside me. All along
the line, there's nothing but cold and death and loneliness. It must
end somewhere"
- after the ceremony awarding Isak a degree, the satisfying,
well-deserved and peaceful conclusion when he appeared to come closer
to his daughter-in-law and her husband Evald - he cancelled Evald's
long-standing enormous debt, and helped to bring them together and
reconcile their marriage; his dreams would no longer torment him
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