Baby Doll (1956) | |
The Story (continued)
He puts the weight of his whole body against the door and it pushes open. In a panic, Baby Doll screams and runs across the rafters of the attic, falling through to the plastered floor. She is precariously perched across one of the beams. Calmly, Vacarro asks her one more time to sign his affidavit (that Archie committed arson) or he will walk out and cause the whole floor to give way under his added weight. Desperate, absolutely fear-stricken and panting, she agrees to sign: "I'll do whatever you want - only hurry!" Vacarro kisses the paper when he finally gets what he wants, her signature for incriminating testimony against the dishonorable Archie, instead of her own honor or 'virtue'. When she gets out of the attic, he clambers down the stairs, grinning: "OK, you're 'Home free'! And so am I! Bye-bye!" But she is greatly disappointed that he is leaving without a kiss for her:
Tired from his afternoon's exertions, Vacarro curls up in Baby Doll's crib with the slats down - one of the few pieces of furniture left in the house. He waves at her with one hand as she approaches. His other hand holds his riding crop. She comes into view and gently takes the whip from his hand, and then covers him. The film fades-out - [an off-screen seduction scene followed?] In the supply store in Memphis, Archie is first denied credit, but then allowed to part with a new, wrapped-up part for his repairs. When he finally gets back to the gin, he is chagrined to learn from Rock, Vacarro's man, that the gin is running again. The mill is in better operating condition, because Rock put in a new saw-cylinder from the Syndicate and replaced his workers with theirs. When Archie returns home to a silent house, Vacarro is still asleep in Baby Doll's crib, with her resting beside him, still dressed in only a silk slip. After fortifying himself with a swig from another hidden bottle of alcohol, he finds a lazy Baby Doll descending the staircase also, now covered with debris and fallen plaster from the attic. He keeps asking about her indecent clothing: "Ain't I told you not to slop around here in a slip?" Archie's shouting startles Aunt Rose, who rushes out of the kitchen: "Supper almost ready, now!!" Archie tells Baby Doll that a new bureau in Washington D.C., the U.W. (which stands for 'useless women') has secret plans to round up destructive women and shoot 'em. Sexually awakened - and unintimidated by his blustering verbal assaults, Baby Doll articulately wonders if they also have plans to round up destructive men and shoot them too. He notices a distinct change in her attitude toward him - having been enlightened and matured (filmed earlier in a discreet manner) and given a new awareness of her husband's brutality:
She steps out to the porch in her slip, in full view of a group of men on the road (from the Syndicate Plantation) who give a wolf-whistle at her. Archie anxiously asks:
Archie Lee charges out toward the men on the road across the road, angry that they have insulted his wife and mockingly laughed at him:
Vacarro appears at the top of the stairs, and Baby Doll greets him: "HEIGH-HO SILVER..." Archie quizzically turns and eyes him suspiciously, aroused by the implications of his long afternoon visit:
Vacarro is invited to stay for supper, as Archie's heartburn and pain in his belly worsen - shocked by Baby Doll's revelations:
As Archie phones the Bright Spot Cafe in a room adjacent to the dining room before supper, Baby Doll enters buttoning up her dress and wearing a "baby blue" ribbon in her hair. She and Vacarro retreat behind a nearby wall. She is fearful of her husband's murderous mood and his rough friends, and advises him to leave, but Vacarro is confident with "the ace of spades" (her signature on the confession) in his pocket:
Baby Doll looks over at him gratefully with a wanton look. She reaches for the beaded chain on the light bulb above her head and switches off the light, engulfing them in darkness. They kiss as she breathes heavily - and then they kiss again. After Archie mumbles a few more indistinct words into the phone, and Aunt Rose switches on the light, he hangs up, and they sit down to supper. In the stark room, a bare lightbulb hangs above the table - Archie must sit on an overturned crate because there aren't enough chairs. Thoroughly antagonized, Archie sneers at Baby Doll and asks:
Archie, further incensed by Vacarro's flirtation with Baby Doll, bellows out instead toward the demented old Aunt Rose. She doesn't have food for the table in the disastrous meal scene, but brings out a big white pot of raw greens anyway. They are uncooked (Archie asks rhetorically: "What is this stuff? Grass?"), because she forgot to light the stove before visiting a comatized friend in the hospital that afternoon. Archie forces Aunt Rose to sit down and answer a question about her "plans for the future." Perceptively coming to Aunt Rose's defense, Vacarro comments:
In a pathetic voice, Aunt Rose tells Archie, in a heartbreaking speech, about her years of cookin' around people's houses and faithful service:
Silva promptly and gallantly offers to hire Aunt Rose to cook for him at his place, taking pity on the plight of the feeble-minded woman who is regarded as an outsider (like he is). Suspecting that Silva is only a foreign opportunist, Archie becomes more infuriated with him for displacing him even further:
Baby Doll's hint for Vacarro to take the furniture is another territorial insult. In a second memorable "seduction" scene (within Archie's sight and hearing), Vacarro begins his supper by hungrily dipping huge hunks of bread into the pot of uncooked greens, telling Baby Doll: "Colored folks call this pot liquor." Amused and giggling, Baby Doll joins him as they share bites of the dripping mess: "I love pot liquor....Crazy 'bout pot liquor..." Crazed while listening to them moaning and exchanging looks: "Mm-umm, Good!", Archie grabs a piece of dangling glass from the dusty old chandelier (a symbol of the mansion's past splendor and Archie's crumbling, lost affluence), wheels about and hurls it at them. He boasts about his "respected position," but reveals his mean, prejudiced, and threatening personality when he suspects that Baby Doll and the calculating Vacarro are lovers, and that he has been cuckolded:
Vacarro, claiming that he is "not revengeful," cooly and victoriously challenges Archie with his knowledge that he set his gin on fire. He unveils the affidavit that Baby Doll signed - proof of Meighan's arson plot - with the threat of Baby Doll's testimony against him:
And then Vacarro admits that he has coaxed other favors from Baby Doll, and that there exists a "certain attraction" between them - after a crib-nap, a sung lullaby, and "the touch of cool fingers":
Hysterical with furious rage, Archie raises his voice:
Archie charges into another room to get his shotgun as Vacarro retreats outside after being signalled by Baby Doll to get out quickly. Baby Doll is struck by Archie (offscreen) as he roams through the house to find the interloper. She screams out angrily:
While Baby Doll (now "the ex-Mrs. Meighan") phones the police to alert them to her husband's abuse and crime, Vacarro climbs up and hides in the pecan tree in the yard. Later, she joins him for refuge, unseen by Archie, after Vacarro extends his hand and hoists her up into the fork of the tree. Wild-eyed and drunk, Archie indiscriminately and randomly blasts away at shadows around his property, searching for the "yellowbellied wop." He eventually cracks under the strain and pathetically moans the name of his wife. A car's headlights shine on the front porch - Aunt Rose responds that she is ready for her ride to take her away, but it is the town marshal. While they put handcuffs on Archie and take him into custody, Archie warns:
Vacarro leaves with Rock after telling the police that he will go directly to the county sheriff with his affidavit. Before he departs, he turns and tells Baby Doll that he will return the next day - but she isn't so sure. Archie is also worried about what will happen to him:
Baby Doll walks back toward the house where Aunt Rose sits on the porch. Aunt Rose, who was promised a job, thinks she has been forgotten: "Your friend forgot me." Midnight strikes, and Archie notes: "Today's my Baby Doll's birthday." Baby Doll, insecure and worried about her fate, commiserates with Aunt Rose that Vacarro may not make good his promise to care for them:
In the film's ambiguous ending, the last image is of the marshal's car driving away the beaten Archie into the night, and a dark, silhouetted view of the decaying mansion. |