Repo Men (2010)

After Union Repo-Man Remy's Severe Concussion During a Fist-Fight With His Partner Jake, Remy Was So Seriously Brain Damaged That He Became the Recipient of the Union's Newest Product - The M.5 Neural Net; The Last Third of the Film Was All Unreal and Only Remy's Alternate Reality Dream on a Tropical Beach

This gory sci-fi action-thriller was Miguel Sapochnik’s directorial debut film - with a story based on the 2009 novel "The Repossession Mambo" by Eric Garcia. Its plot twist about a dream state was similar to the plot twist of Brazil (1985). The main storyline was reminiscent of Part V ("Live Organ Transplants") of Monty Python's The Meaning of Life (1983).

Poster taglines included:

• FOR A PRICE, ANY ORGAN IN YOUR BODY CAN BE REPLACED. BUT IT CAN ALSO BE REPOSSESSED.
• CONSIDER THEM YOUR FINAL NOTICE.
• BAD HEART? BAD LIVER? BAD CREDIT? NO PROBLEM!!!
• GO AHEAD. HAVE THE CHEESEBURGER.
• WE ENCOURAGE YOU TO DRINK IRRESPONSIBLY.

The film abruptly opened with a voice-over, provided by a bare-chested individual at his manual typewriter, the film's main protagonist: Remy (Jude Law). His words were a reference to a theoretical experiment proposed in 1935 by Austrian physicist Erwin Schrödinger, about how a fatally poisoned cat in a closed box was not truly determined to be dead until the box was opened:

What do I remember? I remember reading about a scientist. He had a thing for cats and boxes. What he'd do is take a cat and lock it in a box. And then, just to make things interesting, he also put this machine in there that released poison gas. Now, the scientist didn't actually know when the machine would release the poison and when it wouldn't. The only way he could tell for sure was to look inside the box. Here's the science bit - until he opened it up, he figured the cat had to be alive and dead. See, if either one was possible, then both had to be possible too.

However, the idea that the cat could be both dead and alive (theoretically possible) was ridiculous.

A pre- title credits sequence opened with the cold-blooded murder of a man in his apartment about to receive a blow-job from his date. He pleaded with Remy, the repo gunman: "Wait, keep it holstered. Everything's OK. I can pay." The killer matter-of-factly responded: "I'm sorry. That's not my department" - and pulled the trigger on his taser gun. Then, he non-chalantly shot the man's short-skirted date, donned a see-through plastic rain slicker with a UNION insignia, cut open the man's chest with a scalpel, pulled out his repossessed liver, and cleaned it in the sink before depositing it into a plastic bag.

Remy then explained, in voice-over as he drove away through a Blade Runner-like cityscape, the basics of his job:

My job is simple. If you can't pay for your car, the bank takes it back. If you can't pay for your house, the bank takes it back, If you can't pay for your liver, well, that's where I come in.

The story was set in the dystopic near future (in the year 2025) with an all-controlling, giant corporation (part hospital, part bank) known as The Union. As a medical supplier, it manufactured replacement artificial organs (known as "artiforgs") for the human body, such as livers, hearts, lungs, etc. However, the mechanical replacements were high-priced (with a six-figure price tag), although available via credit with financing (and high interest rates of about 19.6%). If not paid for or if payments fell far behind after three months (96 days to be exact), the organ(s) could be repossessed by "highly-skilled technicians" (or repo-men).

The company's highly-skilled repo-man in the opening was Remy whose job it was to reclaim (by whatever means possible) the 'property' of the Union. He explained his amoral work in a non-chalant way:

Almost every job I do ends the exact same way. Some whimper, some cry. Some even laugh. But in the end they all do the same horizontal mamba. Twitching and thrusting their way into the great beyond.

He was paired with another Special Ops ex-soldier and childhood friend, Jake Freivald (Forest Whitaker). The two repo men worked for one of the corporation's executives, Frank Mercer (Liev Schreiber). Wearing body armor, they used special scanners to locate and confirm organs eligible for repossession, and then confronted the indebted individuals with a taser stun gun, before operating and bloodily retrieving the organ.

Remy experienced strains in his family life with young son Peter (Chandler Canterbury) and a loving pretty wife named Carol (Carice van Houten) who strenuously objected to Remy's heartless and bloody job and wanted him to move to the sales department.

During their daily work, especially after detecting and pursuing a 'nest' of artiforg repos, Remy was beginning to have real second-thoughts about his job, mainly because it was ruining his marriage. He also learned about the latest product of the Union known as M.5, a Neural Network, something Jake described as "taking over the whole limbic system. Brain damage, stroke, you name it, doesn't matter. They hook you up, and then it's like, you're livin' the rest of your life in a dream."

During one of his final repossessions before he was planning to shift to the sales department of the organization, he was tasked with repossessing the heart of a soul music producer known as T-Bone (hip-hop artist RZA). An accident with a heart defibrillator mechanism shorted out Remy's heart and sent him into a coma (it was the third serious head injury in his life).

When he awoke in a hospital bed with tubes, he seemed to be like the cat in a tox in the film's opening. Was he alive or dead? Or in the experiment's terms, was he both dead and alive at the same time? Remy was told that his heart was severely damaged and that he desperately needed a heart transplant. Remy was reluctantly forced to agree to sign a contract and acquire an artificial heart for himself (Frank: "You've got to have a ticker to play the game, am I wrong?"), so he could continue working for Union.

Remy's Heart Defibrillator 'Accident' with T-Bone
With T-Bone	Zapped	Was Remy Dead and/or Alive?

By now, Remy had become strongly conflicted and unable to fulfill his job of repossessions, since he was attacking people who had artificial organs like himself. His new artificial heart actually provided him with more empathy for those who were indebted. During another attack on a "nest," Remy was reluctant to carry out his job, and was actually working at odds with Jake and the Union - with a fresh appreciation for being alive, a crisis of conscience, and a re-evaluation of his profession.

Remy resorted to helping Beth (Alice Braga), a drug-addicted bar singer who had rented eleven artiforg organs from the Union - and she was over 400 days in default. But he refused to kill her: (voice-over: "I saw an interview with a serial killer once. It said it took him six years to work up to his first kill, the second a year, the third just a week. Once that dam broke, it was a flood. Making people die, here it becomes second nature. Apparently, it also works the other way around").

At the same time, when Remy's rented heart organ also became overdue, in a reversal of fortunes, he took sides with Beth and hid out with her at the outskirts of society. When Jake attempted to convince Remy to rejoin him as a repo man, and Remy refused, Jake admitted to him that he had rigged the defibrillator unit to malfunction at T-Bone's place.

Jake: If I had known that you were gonna be such a pussy about the accident...Oh, you thought it was fate? Sort of a cosmic plan to get you right with the world? Is that what you thought?...I'll tell ya. The cosmos doesn't know s--t about swappin' out electrical leads.
Remy: You rigged the defibrillator, didn't you?

Jake's reasoning was that Remy would never be a good Union salesman. Thus, he felt compelled to force Remy to get a heart replacement in order to ensure that Remy would keep his organ repossession job (rather than quit). Remy would have to keep working as a repo-man in order to pay off his heart debt. Then, the two partners could restore their camaraderie and be promoted together. Angered by his friend's plot, Remy engaged in a vicious fist-fight with Jake - and Remy was knocked unconscious!

[Note: This marked the real end of the film - the remainder of the film was in Remy's mind or dream fantasy. There was a flashing montage of bits and pieces of the previous action in the film. Beth urged him to 'wake-up.']

After falling in love with Beth, and feeling remorseful about the Union's brutal tactics, Remy concocted a plot to destroy or clear The Union's computer financial records - to erase Remy's and Beth's and all other client records so that it appeared there was no repo on their accounts. Once they made it into The Union's HQ and central computer database, they realized to their horror that the system lacked an interface and only controlled the organ-repo scanners. They were forced to outwit the company's computer system.

As the two kissed and undressed each other in a sexualized S&M sequence, Remy was the first to repossess his own heart by cutting open his chest cavity. Beth reached inside his body to retrieve his heart so that it could be scanned, and his account was cleared. In an additional series of painful-to-watch, gratuitous bloody sequences as Beth was stripped and cut open, her body's many artiforgs were also scanned and reclaimed.

Remy's Repossession of His Own Organs to Clear His Account

As he was finishing up cutting into Beth's abdomen, they were approached and interrupted by Jake and Frank. Jake took Remy's side and stuck a knife into Frank's throat, and then blew up the corporation's mainframe computer system to completely eliminate all the records, before they all fled.

In the final astounding sequence (a tacked-on twist ending), after a flash of white light, Remy, Beth and Jake were relaxing on lounge chairs on a tropical beach. After quitting his job, Remy had finally published his written book-manuscript about his experiences as a repo man, titled The Repossession Mambo. Suddenly, flickering occurred ("a glitch") and Jake suddenly disappeared - indicating that the scene was unreal. It was revealed that about a third of the preceding film was only a fantasy in Remy's mind (Jake called it "sweet dreams").

Comatized Remy's Dream World - A Tropical Beach With His Newly-Published Book The M.5 Neural Net

Earlier in the film, Remy had suffered severe brain damage after his brutal fight with Jake. When he entered into a coma, Remy (still prone on the floor) was hooked up to a 'virtual-reality' computer to keep him functioning - it was the new M.5 Neural Net system. Remy was led to believe, in his dream-world mind, that he and Beth had successfully brought down the Union, and they were living 'happily ever after' in a personal paradise - on a beach. However, in reality, Jake continued to work at the Union, and was paying for Remy to be hooked up to M.5 (the Neural Net).

With a sales pitch, Frank advertised the newest offering of Union as "Yesterday's dreams are today's reality."

Imagine your loved ones living out the rest of their natural lives in a world where they are always happy, always content, and always taken care of. You owe it to your family.

The film's final moments returned to Remy's tropical beach fantasy, where Jake handed him a tropical drink ("A little fruit, for the fruit?") as he watched Beth walk along the water's edge. The film's soundtrack played the Mamas and the Papas' "Dream A Little Dream of Me."

Righteous Kill (2008)

The Serial Killer Was Detective Fisk (or "Rooster"), Not His Partner Detective Cowan (or "Turk") Who Had Confessed To the Murders on a Videotaped Recording - The Taped Confession Was Misleading Because "Turk" (Coerced at Gunpoint) Was Only Reading "Rooster's" Confession From His Little Notebook; In the Final Scene, "Turk" Shot "Rooster" to Death

Director Jon Avnet's crime thriller and buddy cop film was only the second film (following Heat (1995)) ever made to co-star Robert De Niro and Al Pacino, two powerhouse actors, who were on-screen together for a significant amount of time. The film's tagline was: "Most people respect the badge. Everybody respects the gun."

The film followed two veteran, hard-talking NYC cops on the trail of a serial killer:

• Detective Tom "Turk" Cowan (Robert De Niro), hotheaded, and a great marksman
• Detective David "Rooster" Fisk (Al Pacino), highly-intelligent

The formulaic film opened with a trick sequence and red herring - the key to the entire film. It was a B/W videotaped recording of "Turk" admitting to being the serial killer. In actual fact, he was reading (at gunpoint) the notebook-confessional of his partner "Rooster." [The complete scene was replayed in the film's conclusion.]

He began by stating, in the words of the diary, that his name was Detective David Fisk and later, he also reaffirmed: "My name is David Fisk, Detective First Grade." However, the 'real' Fisk had forced his 30 year partner "Turk" to read his own diary confessional (on-camera), admitting that he was the "Poetry Boy" killer. It was confusing for the remainder of the film to hear "Turk"'s voice-over as the narrator for the film's story, offering an interior monologue of the killer's guilt-ridden conscience about his murderous exploits. At first, the script deliberately made it confusing by only using the cops' nicknames, not their real names.

However, in a few cases, it was clear that "Rooster" was the killer and that he had written the monologue. "Turk" spoke on the tape: "Tom Cowan's been my partner for almost 30 years. He's the best cop I've ever seen...He was my role model. The day I stopped trying to be Tom Cowan was the greatest day of my life." The pivotal event that set "Rooster" off to being a 'bad cop' was the "unacceptable" acquittal of child molester and murderer Charles Randall (Frank John Hughes) - after which his idol and partner "Turk" planted a gun at Randall's house to guarantee his conviction ("for the crime he didn't commit").

The cop-poet serial killer was a suspect in a series of ultimately 14 vigilante murders (of murderers, scumbags, degenerates, rapists, drug lords, and pimps) committed over a number of years. All victims were found with a 4-lined rhyming poem and gun next to their bodies. The investigation of the series of murders was conducted by:

• Lt. Hingis (Brian Dennehy), the cops' supervisor
• Theodore or "Ted" Riley (Donnie Wahlberg) and Simon Perez (John Leguizamo), two suspicious and nosy junior detectives
• Karen Corelli (Carla Gugino), a forensics specialist (who was enjoying rough abusive sex with "Turk")

They were convinced that the killer was a cop - with all signs pointing at "Turk."

The film showed flashbacks to some of the other murders:

• Robert "Rambo" Brady (Rob Dyrdek), a drug dealer, known as "the Skateboard Pimp"
• Phillip Trager (Brian Stapf), a gun-runner
• Jonathan Van Luytens (Terry Serpico), an acquitted rape suspect
• Father Connell (Malachy McCourt), a Catholic priest, child-molester of altar boys
• Yevgeny Magulat (Oleg Taktarov), a Russian gangster and Italian mob enforcer, almost murdered but a possible eyewitness

By film's end, it was clearly revealed that "Rooster" was the actual "Poetry Boy" killer, who had committed the series of "righteous kills" and taken justice into his own hands against criminals who were released due to lack of evidence or other technicalities.

In the conclusion, "Rooster's" final vigilante kill was the shooting of drug dealer and Harlem Club 404 owner Marcus "Spider" Smith (rap star Curtis "50 Cent" Jackson) in the head at point-blank range. "Turk" witnessed the execution, and then was forced to read outloud from "Rooster's" little notebook, as his cop-friend explained: "Everything you want to know is in there. So go ahead. Out loud. For the record." "Turk" began reading -- restating what was in the film's opening:

"My name is David Fisk, Detective First Grade. I've been a cop in the NYPD for nearly 30 years. In that time, I've killed 14 people."

In the final revelation scene, "Rooster" confessed to "Turk" about the disastrous effects of the Randall gun frame-up:

"(You) let me down. I lost my faith. That's when it all started. And once it did, I couldn't stop. Finally, I didn't want to. So I did my own thing. And you know what? In the end, it got done. The scum went down. And that's it. That's that."

"Turk" responded that he would have to hold "Rooster" accountable for the murders: "At some point, I gotta call it in." "Turk" wouldn't allow his partner Fisk escape. During a stand-off, "Turk" was goaded into shooting "Rooster" after a short chase in a nearby construction site and warehouse. "Rooster" was left to die there (after he asked to have the ambulance cancelled). "Rooster's" final words were:

"You're a good man, Tom. You're a good man. I wish you - I wish you continued success."

The final scene was of "Turk" and his superior officers watching the video of him reading "Rooster's" notebook confessing to all of the "Poetry Boy" murders, and clearing "Turk" of any suspicion. It also appeared that "Rooster's" crime wouldn't be further exposed or prosecuted. "Turk" would choose to continue being a "good" cop.

The Ring (2002)

Rachel Was Spared By Making a Copy of Samara's Videotape To Pass On The "Curse"

In the plot premise of this remake of the original Japanese film, Ringu (1998, Jp.), if a person watched a cursed videotape, they would receive a fatalistic phone call warning them that they only had seven days to live. It was at first thought that simply viewing the videotape would soon cause inevitable death.

The enigmatic tape displayed bizarre grainy images, and led investigative reporter/journalist Rachel Keller (Naomi Watts) in a race against time to learn about a murdered girl named Samara Morgan (Daveigh Chase). The girl had been murdered by her mother Anna Morgan (Shannon Cochran) when she was pushed into a deep water well. The 'ring' was the last thing that Samara saw deep down in the well - it was a corona of daylight as her mother placed a stone cover-lid on top of the well.

The videotape was created, reportedly by Samara's ability to imprint thermographic images on things, including video recording tape, radiographs, or in people's visions. The killing spirit of Samara wished to have as many people suffer as possible, as she did. Rachel thought that the discovery of how Samara died, and the proper burial of her body would end the troubling curse, but she was wrong. Her psychic son Aidan (David Dorfman) warned: "She never sleeps."

In one of the film's scariest scenes set in the apartment of Rachel's ex-boyfriend Noah Clay (Martin Henderson), Aidan's father, his TV turned on by itself with the frightening and haunting image of the undead, partially-decomposed Samara emerging out of her watery well grave, walking toward the screen, and then literally crawling out of the TV set -- before killing Noah with her lethal stare and fulfilling the curse.

Rachel realized that she had been spared from being killed because she passed the curse on by simply making a COPY of the videotape and giving it to someone else to watch. She also helped Aidan to make a copy of the tape to show someone else, so he would survive. But he asked the inevitable question in the film's final line:

"It's going to keep killing, isn't it? She'll never stop...What about the person we show it to? What happens to them?"

The Road Warrior (1982) (aka Mad Max 2, or Mad Max 2: The Road Warrior (1981, Aust.))

The Fuel Tanker Was Filled With Sand As A Diversion - To Allow the Band of Survivors to Escape to the Coast; The Film's Narrator Was the Feral Kid

George Miller's action-adventure thriller (a sequel) was set in the post-apocalyptic, lawless wasteland of the outback of Australia. Fuel was very scarce and fought over by gangs. Its main protagonist was an ex-Australian cop known as the "Road Warrior" - or Mad Max Rockatanksy (Mel Gibson).

In the voice-over narration (voice by Harold Baigent) that opened the film, Mad Max was re-introduced, and the environment was described (with footage from the previous original film, including the murder of Max's wife and child by a biker gang):

My life fades, the vision dims. All that remains are memories. I remember a time of chaos, ruined dreams, this wasted land. But most of all, I remember the Road Warrior, the man we called Max. To understand who he was, you have to go back to another time when the world was powered by the black fuel and the deserts sprouted great cities of pipe and steel. Gone now, swept away. For reasons long forgotten, two mighty warrior tribes went to war and touched off a blaze which engulfed them all. Without fuel they were nothing. They'd built a house of straw. The thundering machines sputtered and stopped.

Their leaders talked and talked and talked, but nothing could stem the avalanche. Their world crumbled, the cities exploded. A whirlwind of looting, a firestorm of fear. Men began to feed on men. On the roads, it was a white-line nightmare. Only those mobile enough to scavenge, brutal enough to pillage, would survive. The gangs took over the highways, ready to wage war for a tank of juice. And in this maelstrom of decay, ordinary men were battered and smashed. Men like Max, the warrior Max. In the roar of an engine, he lost everything, and became a shell of a man, a burnt out, desolate man, a man haunted by the demons of his past. A man who wandered out into the wasteland. And it was here in this blighted place that he learned to live again.

Max assisted a small band of decent-living survivors to defend a remote oil refinery under siege from evil barbarian warriors. Their petrol was a very precious commodity. Attacks were coming from a nomadic terrorizing, marauding horde led by warlord 'Humungus' (Kjell Nilsson) wearing a mask to cover his disfigured face, and his maniacal mohawk-wearing chief enforcer Wez (Vernon Wells).

In the film's exhilarating chase finale, it was revealed that the fuel tanker pulled by a Mack tanker truck (driven by Max in a breakout drive), allegedly filled with refined petroleum fuel ("precious juice"), had been a decoy as a diversionary tactic. Unbeknownst to him, the fuel tanker was filled with sand. When Max lost control of the Mack tanker truck and the fuel tanker crashed and rolled onto its side, it began leaking its cargo - sand. (Max held out his hand to catch some of the sand.)

The gasoline had been hidden in large drums stored in the colonists' school bus (and possibly other vehicles), allowing the small band of settlers to escape to the coast in a convoy.

The epilogue was conveyed by the same voice-over from the film's opening (from the Feral Kid). The helicopter/autogyro pilot Gyro Captain (Bruce Spence) went North with the settlers as their new leader, and the Feral Kid (Emil Minty) (the Narrator, voice by Harold Baigent) with a bladed boomerang eventually became the Chief of the Great Northern Tribe, when Gyro Captain died:

And so began the journey north to safety to our place in the sun. Among us we found a new leader. The man who came from the sky - the Gyro Captain. And just as Pappagallo had planned, we traveled far beyond the reach of men on machines. The juice, the precious juice, was hidden in the vehicles.

As for me, I grew to manhood. In the fullness of time, I became the leader, the Chief of the Great Northern Tribe. And the Road Warrior? That was the last we ever saw of him. He lives now, only in my memories.

Robot Monster (1953)

Everything Was a Dream of Young Johnny, or Was It?

There was a simple twist ending to this famous schlocky 3D science fiction film, often considered one of the worst films ever made.

In this alien-invasion film, an evil Moon robot, Alien Ro-Man Extension XJ-2 (George Barrows, voice of John Brown) - a seven foot tall, alien race robot, resembled a man wearing a gorilla suit/outfit with an antique diving helmet. He was equipped with a deadly weapon called a Calcinator Death Ray and was sent to Earth from the Moon. He was responsible for the entire pre-emptive conquest of the Earth and destruction of humanity, before an impending invasion. He was being directed by his creator and alien leader The Great Guidance (George Barrows again) to destroy Earth's inhabitants.

After committing mass genocide of the entire human race, there were only eight surviving humans who were immune to the ray due to an antibiotic serum that they were given. They included one scientist, a family of five, and two of the scientist's unseen assistants:

• The Professor (John Mylong), an older scientist-archaeologist
• Roy (George Nader), the Professor's assistant scientist, married to Alice
• Mother (Selena Royale), widowed, but also married in the dream (?!)
• Alice (Claudia Barrett), the eldest daughter
• Carla (Pamela Paulson), the younger daughter
• Johnny (Gregory Moffett), the bratty young son
• two space pilots

Many of these earthbound survivors were destroyed when Ro-Man unleashed his Calcinator on their rocketship bound for an orbiting space station, and he was killing the remainder, one-by-one. He first killed the two pilots, then strangled Carla, and threw Roy (newly married to Alice) off a cliff to his death. But he had fallen - illogically - in love with Alice and tried to abduct her. Ro-Man wanted to be Hu-Man, and his desires for Alice caused conflict with The Great Guidance who had other plans:

"Fact: You have captured the girl and not destroyed her. Fact: You have delayed accepting the surrender of the others. This verges on failure."

Thinking for himself (like humans) and rejecting the original plan, Ro-Man suggested his own plan as he complained: "Yes, to be like the Hu-Man, to laugh, feel, want, why are these things not in the plan?"

Servant Ro-Man, who would not destroy the girl or the family, approached Johnny and grabbed him by the neck. At the same time, Ro-Man was zapped for his disobedience by the Great Guidance and he fell to the ground. Then, the Great Guidance teleported himself to Earth to finish the job with deadly Q-rays ("psychotronic vibrations"). The Great Guidance released prehistoric reptiles (to devour any remains of life) (mostly recycled footage from One Million B.C. (1940)) and a massive earthquake that split the Earth open.

Bratty Johnny, the youngest member of the family, awoke during the destruction of Earth - and it was revealed that everything that had occurred was from his mind. He was on a picnic with his widowed mother and sister Alice when he came upon a pair of archaeologists, the Professor and Roy exploring a cave. He thought he had taken a nap, but he had fallen down and hit his forehead on a rock - with the characters taking various roles in his nightmare. Once he was revived, he realized what had happened to him:

"Boy, was that a dream or was it?"

As they were about to leave the cave area, Alice cautioned Johnny that he should stop overdoing it with his belief in space-robots: "You're overdoing this space-man act. There simply aren't any such things."

But then, the "dream" started again (reminiscent of the plotline of the similar Invaders From Mars (1953)). The camera panned right to the dark entrance of the cave, where a series of electrical flashes revealed the ghostly apparition of Ro-Man, who lumbered menacingly out of a cave towards the camera -- repeated three times!

Rocky (1976)

In the Boxing Finale, Rocky Lost The 15 Round Fight (By a Split Decision) Although He Went the Distance

The exciting 15-round world heavyweight boxing fight finale was between two contenders:

• Apollo Creed (Carl Weathers), the champ
• "Italian Stallion" or Rocky Balboa (Sylvester Stallone), the underdog opponent

Apollo Creed (Carl Weathers)	Rocky Balboa (Sylvester Stallone)

Apollo won by a split decision, although Rocky, with a bloody face and swollen eyes, had gone the distance.

The importance of the actual outcome of the fight was deliberately muted, minimized, and in the background, emphasizing the profundity of the moral victory Rocky achieved by "going the distance" against overwhelming odds.

He was lovingly embraced by Adrian (Talia Shire) in the ring following the decision as they proclaimed their love for each other.

The self-respecting Rocky proved that he was more than a born loser and "another bum."

Romance (1999, Fr.) (aka Romance X)

Newly-Liberated Marie Was Pleased That the Unloving Father of Her Child Died in a Gas Explosion

This sexually-graphic, unrated drama import from daring French filmmaker Catherine Breillat told about a sexually-frustrated, self-reflective, semi-depressed Parisian elementary school teacher named Marie (Caroline Ducey). She was paired with an unresponsive, unloving male partner and model named Paul (Sagamore Stevenin). He no longer touched her or agreed to intercourse, although she still clung to him.

Feeling dishonored, she began to contemplate finding unbridled sexual gratification and lustful fulfillment through various 'no-strings-attached,' explicit sexual encounters with others, including an Italian stranger, named Paolo (Italian porn star actor Rocco Sefredi). She also associated with her older boss Robert (Francois Berleand), a "prince of seducers," who claimed he had enjoyed 10,000 women (with a record of his conquests). He promoted her potential for S&M masochism, degradation and bondage.

When she began pulling away from Paul, she became pregnant with his child during one rare act of sexual contact (through a drop of his seminal fluid without ejaculation). After nine months of drifting further apart from Paul, she left his apartment to deliver her baby, accompanied by Robert. Paul was left passed out from booze in his apartment's bed, with the gas stove turned on - so that he would die in the subsequent explosion.

The film ended abruptly with Marie pleased with Paul's death, the scene of his funeral, and her voice-over:

"I gave my son his father's name. If someone up there counts souls, then we're even."

Rosemary's Baby (1968)

Rosemary Was Impregnated By Satan, Due to Her Husband's Deal with Devil Worshippers (Their Neighbors); Maternally-Overcome, She Rocked the Devil Child

In this film's shocking twist ending, Rosemary Woodhouse (Mia Farrow) snuck into the neighboring Castevet's apartment through the closet passageway - with a kitchen knife upraised in her hand. There she found a coven of Satanists including her husband Guy (John Cassavetes), surrounding a black-draped baby cradle to pay their respects.

She approached the black bassinet, with a knife in her hand, expecting to see her own human child. But when she pulled back the black drape, her eyes widened. She discovered that her Anti-Christ child had inhuman eyes ("What have you done to it? What have you done to its eyes?" Lead Satanist Roman Castevet (Sidney Blackmer) calmly responded: "He has his father's eyes!"

She was uncomprehending, and screamed back:

"What are you talking about?! Guy's eyes are normal! What have you done to him? You maniacs!"

Then, Roman and his wife Minnie (Ruth Gordon) (and members of the coven) went further and attributed the baby to Satan:

Roman: Satan is his father, not Guy. He came up from hell and begat a son of mortal woman.
(Coven members cheered 'Hail, Satan!')
Satan is his father and his name is Adrian. He shall overthrow the mighty and lay waste their temples. He shall redeem the despised and wreak vengeance in the name of the burned and the tortured. Hail, Adrian! Hail, Satan!
(Others in the room repeated the incantation.)
Hail, Satan!
Minnie: He chose you out of all the world - out of all the women in the whole world, he chose you. He arranged things, because he wanted you to be the mother of his only living son.
Roman: His power is stronger than stronger! His might shall last longer than longer.

Rosemary realized that she had been impregnated by the Devil (not her husband Guy) and the baby was the offspring of Satan and Rose-Mary (a variant on the name Mary in the Biblical story).

Although Rosemary rejected the devil-worshipping coven, she accepted the reality of the situation and showed an instinctive mothering role and maternally affectionate instinct towards her Satan-spawned baby Adrian in the final scene - she gently rocked the crying child to sleep.

Run Lola Run (1998, Germ.) (aka Lola Rennt)

There Were Three Endings To the Story - Which One Was Real?

This exhilarating film followed three breathtaking and frenetic attempts (all "what-if" scenarios of repeating the past), largely shot in real time.

In each scenario, tattooed, short red-haired Lola (Franke Potente) raced to acquire 100,000 DeutschMarks needed to save the life of her dependent, petty criminal boyfriend Manni (Moritz Bleibtreau). He was panicking at a phone booth in Berlin, where he was to meet his boss Ronnie (Heino Ferch) at noon (in about 20 minutes) with the cash. As a courier for his boss, he had inadvertently left his bag of cash on a subway train car, where it was picked up by a homeless bum.

Lola's task was to acquire the replacement cash and get it to Manni before he robbed a supermarket to get the cash he needed to hand over to his gangster boss.

The film's twist was that she was off by a matter of seconds each time, drastically altering the consequences:

• First attempt: Lola was shot in the chest by police during the grocery store robbery and died!
• Second attempt: Manni was run over by a red ambulance
• Third attempt: Lola won over 100,000 marks at a casino playing roulette, and Manni recovered the lost money from the homeless man and delivered the cash on time

In the third scenario, Manni tried to reassure Lola:

"Did you run here? Don't worry. Everything's okay. Come on. What's in the bag?"

The story ended happily, but only after two earlier attempts had very different outcomes (in the first two cases, robberies of money led to death). The credits scrolled from top to bottom.

The question the viewer must ultimately ask: "Which scenario was the real one?" Or, had they completely escaped the looping cycle of death and rebirth?