Written on the Wind (1956) | |
The Story (continued)
On his way to his Dad's place, Mitch drops Lucy off in town - their departure witnessed by Marylee and Kyle peeking out from an upstairs window. (This is a common occurrence in the film - peering views from behind curtains and windows.) Admitting her own diseased 'filth,' Marylee slyly taunts her brother into a drunken rage and adds fuel to the fire by feeding his own crippling, unbalanced insecurities about Lucy and her alleged affair with his best friend Mitch:
In town, Lucy is dropped off at Dr. Cochrane's office in the Medical Building for an hour-long appointment. Mitch almost tells Lucy of his deep feelings for her. When Mitch picks her up afterwards, he confesses his plans to leave for Iran in the next week:
They begin kissing, but Lucy breaks it off with a confession of her own. She discovered the reason for Kyle's heavy drinking - his fear that he might never have children. But this was only the doctor's "medical opinion, not a fact." She divulges: "I'm going to have a baby." Lucy kisses him - this time "for goodbye." Upon their return to the Hadley mansion, Marylee tells them that Kyle "hopped into his kiddie car and flew. And I mean flew...If he wasn't (drunk), he was well on his way." Kyle is seen purchasing a bottle of whiskey at The Cove, being offered unwelcome advise from Dan, and drinking himself into oblivion with the rot-gut poison:
By evening time just as dinner is being served in the cavernous dining room, the sounds of Kyle's roaring car engine and screeching tires announce his return home. Drunk as a skunk, he staggers into the dining room, turns over the shrimp cocktail being served to him by Sam (Roy Glenn), and orders: "Bring me a cocktail I can drink. And I don't mean tomato juice." Lucy urges him upstairs, as he quips: "You wish to confess?" He has been poisoned with the belief that Mitch is having an affair with her. Upstairs, Kyle begs Lucy to travel with him to exotic locales, "like turning back the clock." He insinuates her loose living: "Are you sure your husband's out of town?" And then when Lucy begins telling him the 'good news' of her medical condition after her doctor's visit, he expects only bad news and suspects she knows of his infertility. The news of her pregnancy, coupled with his own self-loathing, drunken haze of understanding, willful blindness, and inability to accept Lucy's love, make him presuppose that Mitch must be the father:
He viciously slaps her, causing her to fall onto the side of the bed and onto the floor. Lucy's screams bring Mitch running to her rescue from downstairs. He visits his pent-up wrath upon Kyle, punching him and throwing him out of the bedroom, and threatening with loudly-yelled words that will return to haunt him (a similar line was bellowed by Joan Crawford to her daughter in Mildred Pierce (1945)):
Kyle retreats to his car and the Cove, as Mitch phones for Dr. Cochrane. After examining Lucy, the diagnosis is that she has had a miscarriage. The doctor asks an "impertinent question" of Mitch as he departs, and is told: "Kyle had no cause." Mitch again threatens Kyle, within hearing of Marylee: "He'd (Kyle) better not come back here tonight. I'll tell you that." At the Cove, a bloody-faced Kyle, looking like a "bum", orders another bottle of corn alcohol, thereby scaring away other couples and customers. He also wants to purchase Dan's gun for $100 dollars, but is denied the sale: "Take your courage and let me be." Kyle tells Dan the reason he needs a weapon: "Somebody tried to kill me...My best friend."
As Mitch is caring for Lucy in her bedroom, she begs and hugs him: "Take me away, Mitch. Take me out of this house...Now. I'm afraid." He promises: "I won't leave you." Kyle roars into the driveway, his brakes screeching. He shatters his whiskey bottle by heaving it against the brick house, awakening Marylee upstairs and Sam (and his wife) in their basement quarters. Sam's wife fears: "There's gonna be a killin'." Kyle opens the front door - with the wind sweeping decaying leaves into the Hadley estate. He searches in his father's desk for a gun, and then in the dining room drawers and kitchen cabinets, shattering glass and spilling silverware everywhere. He then topples books from his father's shelves looking for the weapon (hidden earlier by Mitch). Mitch enters the room just as the weapon is discovered, and finds himself at gunpoint, with the pistol-waving Kyle screaming at him about his betrayal:
Mitch stoically denies any sexual involvement with Lucy, but can't talk Kyle out of his beliefs. In their past, Mitch has always "taken the blame" for Kyle's misdeeds, but this time, he refuses to be the fall-guy:
Incensed, the abject Kyle again screams, "lousy white trash" and aims the gun at Mitch to murder him, as Marylee struggles with him for the weapon. The gun accidentally fires and strikes Kyle in his midsection. Delirious with pain, he asks: "What are we doing here, Mitch?...Let's go down to the river where we belong." He struggles to the door and collapses outside on the driveway, while stuttering about escape and a return to a place of earlier happiness: "I'll be down at the river, waiting, waiting." The News Herald's Headlines: KYLE HADLEY INQUEST TODAY - Murder Hinted Repeatedly spurned, the scheming, spiteful and conniving Marylee hints that she could easily implicate Mitch in Kyle's death - unless he would choose to marry her. Mitch labels her emotional blackmail a sick pathology:
At the inquest presided over by Judge R.J. Courtney (Joseph Granby), five witnesses testify to the fact that they heard Mitch Wayne's threats against Kyle Hadley to kill him: Dr. Cochrane, Sam and his wife, Dan, and even Lucy. The final witness is Marylee Hadley, who has the opportunity to either indict or incriminate Mitch. Although she first answers that Mitch Wayne killed her brother, she then redeems herself - with a decent and honest answer that brings tears to her eyes, that Mitch was innocent:
The final scene shows Mitch departing/escaping in a car with Lucy, the two non-Hadleys, from the front of the estate. Marylee, wearing a drab and tame, tailored icy-blue suit (unlike previous outfits - as a symbol of her reformed ways?), is left alone in her father's study. She sits at the desk under a domineering portrait of Jasper touching one of his lucrative oil derricks. The oil-rich Hadley dynasty, with all the riches in the world, is left corruptible, inadequate, ruined, and impotent without the death of its patriarch and son, and the exit of its right-hand man. In one of the film's most striking sexually-phallic images, Marylee mimics her father's pose at his deak. She clutches, caresses/fondles (with both hands) and smiles at the miniature bronze model of an oil rig derrick - a small, erect symbol of power, wealth, and comfort. |